CALIFICACIÓN DE IMDb
7.9/10
39 k
TU CALIFICACIÓN
Un ladrón mezquino que se parece a un señor de la guerra samurai es contratado como doble. Cuando el señor de la guerra muere más tarde, el ladrón se ve obligado a tomar armas en su lugar.Un ladrón mezquino que se parece a un señor de la guerra samurai es contratado como doble. Cuando el señor de la guerra muere más tarde, el ladrón se ve obligado a tomar armas en su lugar.Un ladrón mezquino que se parece a un señor de la guerra samurai es contratado como doble. Cuando el señor de la guerra muere más tarde, el ladrón se ve obligado a tomar armas en su lugar.
- Nominado a 2 premios Óscar
- 20 premios ganados y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaMuch of the film recounts actual historical events, including Shingen's death and the two-year secret, and the climactic Battle of Nagashino in 1575. Those scenes are also modeled closely on detailed accounts of the battle.
- ErroresIn the final battle there are at least 100 riflemen shown firing their matchlock rifles in volleys. The smoke generated by the matchlocks almost immediately dissipates. This indicates a more modern gunpowder was used in the matchlocks as the historically correct black powder load would blanket the battlefield with thick smoke after a handful of volleys.
- Citas
Nobukado Takeda: The shadow of a man can never stand up and walk on its own.
- Versiones alternativasIn the original Japanese version, there are 20 minutes featuring Kenshin Uesugi. For some reason, these scenes were cut out of the USA version.
- ConexionesFeatured in A.K. (1985)
Opinión destacada
I have seen nearly all of Akira Kurosawa's films, so my opinion shouldn't be completely ignored. Although I am in the distinct minority, I didn't particularly like KAGEMUSHA. Yes, it was big and beautiful and had great scope but it was also emotionally sterile and bore little resemblance to Kurosawa's earlier, more famous works. The same, by the way, can be said about RAN. Both films had relatively HUGE budgets but the dialog and connectedness between the characters was lacking. As a result, I felt pretty bored when I watched both of them--especially this film.
So, if you compare these two movies with THE 7 SAMURAI or YOJIMBO, for example, they seem VERY different. These older films, though not filmed in color, had a greater sense of humanity about them--great importance was placed on the INTERRELATIONSHIPS between the characters AND the camera work was very different, with more closeups and a more intimate feel. So, while RAN and KAGEMUSHA were pretty to look at, I felt much more detached from them and cared much less about the characters. I really think the problem with these two movies, and the reason I like them less than the average Kurosawa film, was that the big budget in these later films actually HURT them, as too much emphasis was placed on effects and dialog was purely secondary.
So, in summary, I am the odd-ball that didn't love this film. You will probably disagree and might be tempted to mark my review as "not helpful", as the reviews on IMDb are generally glowing. But having seen many Japanese films, I can't help but feel there are better films out there waiting to be seen. Most any other Kurosawa film, and films by other great directors (such as THE SAMURAI TRILOGY, the films of Yasujiro Ozu) are more appealing to me. I think the popularity of this film is in part due to its having been seen in theaters by more Westerners than any other of Kurosawa's films--SEEK OUT HIS EARLIER AND MID-CAREER FILMS--they are better and far more emotionally involving.
So, if you compare these two movies with THE 7 SAMURAI or YOJIMBO, for example, they seem VERY different. These older films, though not filmed in color, had a greater sense of humanity about them--great importance was placed on the INTERRELATIONSHIPS between the characters AND the camera work was very different, with more closeups and a more intimate feel. So, while RAN and KAGEMUSHA were pretty to look at, I felt much more detached from them and cared much less about the characters. I really think the problem with these two movies, and the reason I like them less than the average Kurosawa film, was that the big budget in these later films actually HURT them, as too much emphasis was placed on effects and dialog was purely secondary.
So, in summary, I am the odd-ball that didn't love this film. You will probably disagree and might be tempted to mark my review as "not helpful", as the reviews on IMDb are generally glowing. But having seen many Japanese films, I can't help but feel there are better films out there waiting to be seen. Most any other Kurosawa film, and films by other great directors (such as THE SAMURAI TRILOGY, the films of Yasujiro Ozu) are more appealing to me. I think the popularity of this film is in part due to its having been seen in theaters by more Westerners than any other of Kurosawa's films--SEEK OUT HIS EARLIER AND MID-CAREER FILMS--they are better and far more emotionally involving.
- planktonrules
- 15 feb 2006
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Kagemusha: The Shadow Warrior
- Locaciones de filmación
- Himeji Castle, Himeji, Japón(Nobunaga's castle)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,000,000
- Total a nivel mundial
- USD 4,018,532
- Tiempo de ejecución3 horas
- Color
- Mezcla de sonido
- 4-Track Stereo(original version)
- Relación de aspecto
- 1.85 : 1
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By what name was Kagemusha, la sombra del guerrero (1980) officially released in Canada in French?
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