CALIFICACIÓN DE IMDb
8.0/10
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TU CALIFICACIÓN
Las atrocidades cometidas por las fuerzas armadas cuyo principal objetivo eran los estudiantes e impedir que los Juegos Olímpicos de 1968 se desarrollaran normalmente.Las atrocidades cometidas por las fuerzas armadas cuyo principal objetivo eran los estudiantes e impedir que los Juegos Olímpicos de 1968 se desarrollaran normalmente.Las atrocidades cometidas por las fuerzas armadas cuyo principal objetivo eran los estudiantes e impedir que los Juegos Olímpicos de 1968 se desarrollaran normalmente.
- Premios
- 12 premios ganados y 3 nominaciones en total
Demián Bichir
- Jorge
- (as Demian Bichir)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBecause filming about the Tlatelolco massacre was forbidden, the production had to make a fake documentary about urban redevelopment for a school; but the police arrived and while they were arguing the camera was filming. The police discovered they weren't filming for a school project, and the people living in the departments protected in their own homes the actors and the rest of the crew.
- ErroresWhen the soldiers aimed Granpa and Gracielita to their flat, some soldiers in the stairs dressing like civil where hitting two teachers that where found hidden in the top of the building, meanwhile, the Grandpa and the rest of the family are watching at the door. During the fight there are some shots taking as the stairs as the door of the flat, shifts from day to night are notable in each take.
- Versiones alternativasDVD version adds 15 minutes of footage to the theatrical version. very violent scenes for the time
Opinión destacada
When I saw the film as it was released in the theaters, I thought it was a superb film. More than a decade later, a part of such awe is gone. The plot? A middle-class family undergoes the violent events happened in Tlatelolco, Mexico City, in 1968.
The sound recording and editing was most probably done by butchers. Clumsy ones. The firing sounds seem to be stolen from a Pink Panther cartoon episode. I suppose though that the budget was small, so I will not insist too much on it.
There is nonetheless some VERY good acting in here, performed by Héctor Bonilla, María Rojo and Demián Bichir. My highlight performance happens when Bonilla angrily addresses his sons at the family table, after arriving from work. Sadly, most of the other actors perform poorly (Bruno Bichir, although decently acting,is decidedly overshadowed by his brother). The pamphlet girl's acting is wooden and many other actors seemed to have been simply borrowed from a student theatrical company. The cops (judiciales) are almost a caricature and -even though they can be brutal in real life- suffer from overacting.
The scenery is flawless and honest. Lighting is OK, but nothing out of the ordinary. Some dialog lines are marvelously embellished and made "real" by Bonilla's and Rojo's delivery, although the dialog lines in general tend to sound kitschy, biased and overdone when dealing with political issues.
Recommended to those who want to analyze the evolution of the recent Mexican cinema and to evil cops who are looking forward into improving their verbal intimidation techniques.
The sound recording and editing was most probably done by butchers. Clumsy ones. The firing sounds seem to be stolen from a Pink Panther cartoon episode. I suppose though that the budget was small, so I will not insist too much on it.
There is nonetheless some VERY good acting in here, performed by Héctor Bonilla, María Rojo and Demián Bichir. My highlight performance happens when Bonilla angrily addresses his sons at the family table, after arriving from work. Sadly, most of the other actors perform poorly (Bruno Bichir, although decently acting,is decidedly overshadowed by his brother). The pamphlet girl's acting is wooden and many other actors seemed to have been simply borrowed from a student theatrical company. The cops (judiciales) are almost a caricature and -even though they can be brutal in real life- suffer from overacting.
The scenery is flawless and honest. Lighting is OK, but nothing out of the ordinary. Some dialog lines are marvelously embellished and made "real" by Bonilla's and Rojo's delivery, although the dialog lines in general tend to sound kitschy, biased and overdone when dealing with political issues.
Recommended to those who want to analyze the evolution of the recent Mexican cinema and to evil cops who are looking forward into improving their verbal intimidation techniques.
- moshdesigner
- 29 dic 2007
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