En Baltimore, un chico malo con un corazón de oro se gana el amor de una buena chica, cuyo novio busca venganza.En Baltimore, un chico malo con un corazón de oro se gana el amor de una buena chica, cuyo novio busca venganza.En Baltimore, un chico malo con un corazón de oro se gana el amor de una buena chica, cuyo novio busca venganza.
- Dirección
- Guionista
- Elenco
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaTo find a young actor for the role of Wade "Cry-Baby" Walker, director John Waters bought thirty dollars worth of teen magazines, all of which showed Johnny Depp of Nuevos policías (1987) on the cover. Depp thought the script was funny and strange, and took the offbeat role to avoid being typecast as a television teen idol.
- ErroresThe tattooed teardrop on Cry-Baby's face at the end of the movie appears and disappears.
- Citas
Cry-Baby: That's right, Allison. My father was the "Alphabet Bomber." He may have been crazy, but he was my pop. Only one I ever had.
Allison: God. I heard about the Alphabet Bomber. Bombs exploding in the... in the airport and barber shop...
Cry-Baby: That's right. All in alphabetical order. Car wash... drug store... I used to lay in my crib and hear him scream in his sleep..."A,B,C,D,E,F,G... BOOM! BOOM!"
Allison: But your mom...
Cry-Baby: My mother tried to stop him. She couldn't even spell, for Christ's sake, but they fried her too.
- Créditos curiososThe film begins with an old-fashioned 50's style Universal logo. It's also accompanied by 50's doo-wop music. A stage curtain opens up the movie.
- Versiones alternativasThe USA cable network version has a few extra scenes, including two extra songs, "Chicken" and "The Naughty Lady of Shady Lane":
- Hatchetface's parents selling cigarettes by the school
- Toe-Joe's does a "work-with-me" spiel instead of thanking his "Nudie Cutie"
- an added act of a flexible little girl in the RSVP charm school talent show
- extra footage of Hatchtface chasing Snaredrum and Susie Q around Ramona's front lawn
- Lenora's "gunboats" are now "goldmines"
- The third verse of Allison's song, "Teenage Prayer," is included
- Extra footage of Cry-Baby driving his motorcycle to the charm school, a cop chasing him and an air raid drill that interupts Allison's act
- Cry-Baby combs his hair instead of adjusting his crotch when he gets off of his motorcycle;
- "Lay That Pistol Down" dance number is included
- Cry-Baby arrives during "So Young" instead of before the song beginning, as in video version
- In the movie, Hatchetface says, "Ain't ya got tits? Stick 'em out for God's sake!" In the USA Network version, she says, "Ain't ya got a figure? Show it!"
- There is a longer scene with Wanda, her parents, and Inga, the Swedish exchange student
- The showdown is at Turkey Point instead of at the press conference in front of the prison
- Bandas sonorasKing Cry Baby
Written by Doc Pomus and Dave Alvin
Performed by James Intveld
Additional vocals by Rachel Sweet
Produced by Dave Alvin
I was well into my 20's when the movie first came out, not a fan of 21 Jump Street, and no stranger to movies, including masterpieces and early John Waters, but I LOVED it, and have caught the uncut version on USA network quite a few times.
Cry-Baby is no Citizen Kane, and it's no Pink Flamingos, but, at risk of being pretentious, I will say that its full of something that makes art: Truth. Even in incredibly silly scenes, the movie is based in real and true emotions. John Waters' love for the fun parts of the 50's, (and hatred of the status quo that obviously made his teen years a living hell) is all over this film.
Yes, scenes such as the orphanage are silly, but the cynicism of the orphanage workers and the angst of the mother are as real as can be. The silliness works because the John Waters BELIEVES in what he is saying, and makes damn sure that his actors are with him!
All of the actors, from Johnny Depp who (as with all of his roles) *becomes* the character to Joe Dallesandro who barely can get his lines out, believe in their characters.
"Cry-Baby" parodies 50's "Teen Rebel" musicals such as "Rock Around the Clock" and "Don't Knock the Rock", but with obvious affection.
Yes, it's a musical. If you're one of those cynics who says things like "But people DON'T just start singing in real life" don't see it. Movies exist to give us a break from real life while mirroring it enough to be cathartic. Musicals and parodies take it one step further. They're not diaries, they're not reality, they're MOVIES!
"Cry-Baby" is a lot of fun, and the soundtrack is terrific (and "Hairspray"'s is even better!).
If you liked "Cry-Baby", I recommend "Hairspray" (not quite so silly, just as sweet.) and "But I'm A Cheerleader," which is definitely Waters-inspired, from its use of pink to its incredibly true emotions within very silly situations.
If you didn't like Cry-Baby, how sad. You obviously missed something.
- kidlitfan
- 2 sep 2002
- Enlace permanente
Selecciones populares
Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,266,343
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,004,905
- 8 abr 1990
- Total a nivel mundial
- USD 8,266,655
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 1.85 : 1