This is an uneven film that is definitely worth seeing. In expressing women's secret fears and fantasies it goes farther than others and is quite frank about the villain's (King-Phillips) sexual frustration. Any woman watching this film is going to ask herself, as I did, what she would do in the same situation, and perhaps imagine differing scenarios. The irony is that the physically adorable but repulsively abusive Vern picks an insipid snob, one he constantly criticizes ("You wouldn't last out here alone," "City people are soft," etc.) despite seething with passion for her.
As Renee, Weiss is perfectly cast and gives an understated performance that may not seem like acting, since she is playing a an ordinary college student, incurious about the wilderness and unskilled at both survival and ingratiating herself to her captor. Being tone-deaf in her dealings with him ("My family has money,") her character is not very sympathetic either. Her attitude toward the lifestyle of both Vern and his father (Haggerty) literally wrenched a gasp from my throat. Her character reminded me of girls I had gone to college with - knowing only society's straight line, not interested in true freedom or the discovery of being desperately wanted by a man, even if he is not her dreamboat.
Unfortunately, the film shies away from the natural consequences of the intriguing situation it has set up, and veers into cliché and sensation. The ending is simultaneously absurd and hilarious, due to a bravura performance by King-Phillips, while Weiss and Haggerty fall into their steps as stock characters. The depth built up in the male characters is lost in the film's rush to its ending, and feels like a betrayal.
King-Phillip's portrayal of Vern apparently has a cult following, and it is justified. It's just too bad that some of the scenarios that I imagined between Vern and Renee (or me) were not expressed for me in this film.
