La muerte del Rey Enrique XVIII crea caos en el reino por las disputas sobre su sucesión. Ansioso por mantenerse fiel a la Reforma, el ministro John Dudley casa al moribundo hijo del rey con... Leer todoLa muerte del Rey Enrique XVIII crea caos en el reino por las disputas sobre su sucesión. Ansioso por mantenerse fiel a la Reforma, el ministro John Dudley casa al moribundo hijo del rey con Lady Jane Grey.La muerte del Rey Enrique XVIII crea caos en el reino por las disputas sobre su sucesión. Ansioso por mantenerse fiel a la Reforma, el ministro John Dudley casa al moribundo hijo del rey con Lady Jane Grey.
- Dirección
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Argumento
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- TriviaWhile imprisoned, the real Guilford Dudley carved the name "Jane" inside his cell at the Tower of London. It can still be seen today.
- ErroresAlthough the movie clearly has rewritten history to make a romance, in reality Jane and Guilford never lived in their own home, nor did they ever live as man and wife in the short time they were together; within a month of the marriage Jane was crowned Queen (and refused to crown Guilford King), and 9 days later they were both in prison, lodged in separate towers, and never had contact again.
- Citas
Dr. Feckinham: And what would you be prepared to die for, Lady Jane?
Jane: I would die to free our people from the chains of bigotry and superstition.
Dr. Feckinham: What superstition did you have in mind?
Jane: Well, for example, the idea that a piece of bread can become the body of our Savior, father.
Dr. Feckinham: Did he not say at his Last Supper, "Take, eat, this is my body"?
Jane: He also said, "I am the vine, I am the door." Was he a vine, was he a door?
Dr. Feckinham: Who has been teaching you to say such things?
Jane: Don't you think I could have thought of them myself?
- ConexionesReferenced in As You Wish: The Story of 'The Princess Bride' (2001)
However, there is much to recommend. If you're wondering how accurate Lady Jane is to history, in places it does play fast and loose(the romance being the biggest one) but most of the time it is accurate(especially with Jane's execution), at least it didn't feel grossly distorted and gratuitous like Henry VIII with Ray Winstone did. First off, Lady Jane is incredibly well-made, the costumes, sets and scenery are colourful and immaculate in detail(perhaps too much so at times), the lighting is dynamic and the photography is beautiful. The script doesn't do as good a job with developing the supporting roles but does a wonderful job with Jane, who goes through several character stages. The dialogue is thoughtful and avoids being too mawkish. The story is compellingly told and plausible on the whole, despite a few pacing lulls and that one conflict in the central romance, there's plenty to be entertained by and the ending is truly emotional. The romance is not 100% believable and has an 1980s feel at times, but it was also rather touching and the chemistry between Helena Bonham Carter and Cary Elwes smolders. Trevor Nunn directs beautifully, and Lady Jane is very well cast and acted. Helena Bonham Carter is both sexy and fiery but in the later parts she's heartfelt as well, while Cary Elwes is similarly excellent. John Wood's Northumberland is one of his serious roles and he does great at being sinister and Patrick Stewart plays a scheming, cold-hearted character menacingly and movingly. Jane Lapotaire is a haunting Mary and Michael Hordern and Sara Kestelman's performances are fine too.
In conclusion, imperfect but well done. 7/10 Bethany Cox
- TheLittleSongbird
- 19 nov 2014
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Lady Jane - Königin für neun Tage
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 277,646
- Fin de semana de estreno en EE. UU. y Canadá
- USD 55,964
- 9 feb 1986
- Total a nivel mundial
- USD 277,646
- Tiempo de ejecución2 horas 16 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1