CALIFICACIÓN DE IMDb
5.1/10
813
TU CALIFICACIÓN
Mike Strauber pilla a su esposa Sharon en la cama con su mejor amigo Jerry. Se enoja y se embarca en una aventura de asesinato y automutilación en juegos dementes de verdad o desafío.Mike Strauber pilla a su esposa Sharon en la cama con su mejor amigo Jerry. Se enoja y se embarca en una aventura de asesinato y automutilación en juegos dementes de verdad o desafío.Mike Strauber pilla a su esposa Sharon en la cama con su mejor amigo Jerry. Se enoja y se embarca en una aventura de asesinato y automutilación en juegos dementes de verdad o desafío.
- Dirección
- Guionista
- Elenco
A.J. McLean
- Little Mike
- (as Alexander J. McLean)
D.C. 'Dash' Goff
- Park Ranger
- (as Dash Goff)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaOn the 4 September 2013 episode of The Late Late Show with Craig Ferguson (2005), Elijah Wood said that he was five years old when he watched his first horror movie - Truth or Dare?: A Critical Madness (1986), which was a then-newly released. He said that it was what made him fall in love with horror films, that it remains one his all-time favorite horror movies, and that he has introduced it to several of his friends over the years.
- ErroresDuring the campfire scene, Mike Strauber is dared to rip out his tongue. Later, he is able to talk frequently. This is explained in the film as being through speech therapy, however, this would not help a man lacking a tongue.
- Versiones alternativasThe wide-screen DVD from Sub Rosa features a redone version of the opening credits in a different font (the title graphic, however, remains the same) giving Tim Ritter back his directing credit (producer Yale Wilson took it on the previous VHS release).
- ConexionesFeatured in Arbeitslos (2005)
- Bandas sonorasCritical Madness
Written by Johnny Britt and Ken Karlson
Performed by Kay Reed with the Church Of Our Savior Choir
Opinión destacada
My review was written in July 1986 after watching the show on Peerless video cassette.
"Truth or Dare?" (subtitled "A Critical Madness") is a subpar horror film aimed rather crassly at the gore market. Though touted as a feature made expressly for home video, "TOD" features 16mm lensing not much better than video-lensed forerunners in the genre, such as "Copperhead" and "The Ripper". It certainly isn't interesting or professional enough to warrant a theatrical release.
John Brace overacts portraying a man whom we learn via psychological mumbo-jumbo to be suffering from a childhood trauma traceable to the kids' game Truth or Dare? In which he imagines an alternate reality and is given to both self-mutilation and dishing out ultra-violence to other folks. Opening scene of him catching his wife (Mary Fanaro) in bed with another man triggers his craziness.
Film derails quickly via poor continuity and no credibility generated by Tim Ritter's script. Driving away from home angrily, Brace picks up a voluptuous hitchhiker (Kerry Ellen Walker) and improbably decides to go camping with her, tent and all. Around the campfire she insists on a game of Truth or Dare? And dares him to cut off his finger after she has poked out her own eye.
Brace is hospitalized, but typical of the film's sloppiness he has all his fingers undamaged for the rest of the picture. Conversely, when he goes on the rampage at a mental home with a hand grenade, survival knife, chainsaw and even a machine gun, it seems as if these are fantasy items but they turn out to be real. Where'd he get them?
Nonsensical episodes are just an excuse for gore footage, some of it left mercifully off-screen but also incorporating poorly done explicit violence. Filmmaker Yale Wilson botches most key scenes, such as making the simple finale of Brace versus his shrink needlessly confusing. Tech credits and supporting cast are weak, particularly the monotonous synthesized musical score.
"Truth or Dare?" (subtitled "A Critical Madness") is a subpar horror film aimed rather crassly at the gore market. Though touted as a feature made expressly for home video, "TOD" features 16mm lensing not much better than video-lensed forerunners in the genre, such as "Copperhead" and "The Ripper". It certainly isn't interesting or professional enough to warrant a theatrical release.
John Brace overacts portraying a man whom we learn via psychological mumbo-jumbo to be suffering from a childhood trauma traceable to the kids' game Truth or Dare? In which he imagines an alternate reality and is given to both self-mutilation and dishing out ultra-violence to other folks. Opening scene of him catching his wife (Mary Fanaro) in bed with another man triggers his craziness.
Film derails quickly via poor continuity and no credibility generated by Tim Ritter's script. Driving away from home angrily, Brace picks up a voluptuous hitchhiker (Kerry Ellen Walker) and improbably decides to go camping with her, tent and all. Around the campfire she insists on a game of Truth or Dare? And dares him to cut off his finger after she has poked out her own eye.
Brace is hospitalized, but typical of the film's sloppiness he has all his fingers undamaged for the rest of the picture. Conversely, when he goes on the rampage at a mental home with a hand grenade, survival knife, chainsaw and even a machine gun, it seems as if these are fantasy items but they turn out to be real. Where'd he get them?
Nonsensical episodes are just an excuse for gore footage, some of it left mercifully off-screen but also incorporating poorly done explicit violence. Filmmaker Yale Wilson botches most key scenes, such as making the simple finale of Brace versus his shrink needlessly confusing. Tech credits and supporting cast are weak, particularly the monotonous synthesized musical score.
- lor_
- 10 mar 2023
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 250,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Color
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