El superviviente solitario Ash y su novia Linda despiertan a un espíritu maligno con una grabadora y deberán luchar por sus vidas.El superviviente solitario Ash y su novia Linda despiertan a un espíritu maligno con una grabadora y deberán luchar por sus vidas.El superviviente solitario Ash y su novia Linda despiertan a un espíritu maligno con una grabadora y deberán luchar por sus vidas.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 5 nominaciones en total
Kassie Wesley DePaiva
- Bobby Joe
- (as Kassie Wesley)
Ted Raimi
- Possessed Henrietta
- (as Theodore Raimi)
John Peakes
- Professor Knowby
- (as John Peaks)
Sol Abrams
- Fake Shemp
- (as Sid Abrams)
Randy Brenner
- Male Monsters
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaStephen King was such a huge fan of El Despertar del Diablo (1981) that he convinced producer Dino De Laurentiis over dinner (who was producing King's 8 días de terror (1986) at the time) to have his production company DEG (De Laurentiis Entertainment Group) finance Evil Dead II.
- ErroresWhen Ash is thrown into the cellar he breaks a few of the steps, later he goes in to retrieve the pages of the Necronomicon and every step is intact.
- Créditos curiososThe sequel to the ultimate experience in grueling horror
- Versiones alternativasAll the Anchor Bay releases are uncut for gore, but the new "Book of the Dead" edition digitally erases wires in several scenes (most noticeably when Henrietta's eye pops out).
- ConexionesEdited into Iggy Pop: Cold Metal (1988)
Opinión destacada
This is one of the few horror movies I truly enjoyed, because the film offers a great combination of horror and comedy. It adds up to a very entertaining 85 minutes.
There's a lot to like in this kinda-goofy movie: nice visuals; good humor to counteract the scariness and gore of a horror story; a small amount of ridiculous theology compare to what usually is offered in this genre, and some totally outrageous scenes. They include a woman's head loose and then biting a man's hand with the rest of her body running around with a chainsaw; a hand with a mind of it's own, monster-type grandma and grandpa in the cellar, chase scenes through a forest with trees coming to life and attacking people, on and on....wild, wild stuff.
My main complaint is not enough lulls. There is too much action, and it's so intense it's almost too much to watch in one continuous sitting even with its fairly short length. One needs a break once in a while!
There is no credibility in here, but that's okay since I think most of this is played for laughs more than horror. Bruce Campell suffers physical damage that would have killed a person many times but within seconds, he's back to normal. Campell, by the way, must have set the all-time record for making rubber-faced wild faces in a movie, more than Jim Carrey. However, this movie certainly isn't one to be scrutinized for realism. You have to look at it, with all the gory scenes and shocking violence as not much more than just tongue-in-cheek satire on horror movies. It's great fun.
There's a lot to like in this kinda-goofy movie: nice visuals; good humor to counteract the scariness and gore of a horror story; a small amount of ridiculous theology compare to what usually is offered in this genre, and some totally outrageous scenes. They include a woman's head loose and then biting a man's hand with the rest of her body running around with a chainsaw; a hand with a mind of it's own, monster-type grandma and grandpa in the cellar, chase scenes through a forest with trees coming to life and attacking people, on and on....wild, wild stuff.
My main complaint is not enough lulls. There is too much action, and it's so intense it's almost too much to watch in one continuous sitting even with its fairly short length. One needs a break once in a while!
There is no credibility in here, but that's okay since I think most of this is played for laughs more than horror. Bruce Campell suffers physical damage that would have killed a person many times but within seconds, he's back to normal. Campell, by the way, must have set the all-time record for making rubber-faced wild faces in a movie, more than Jim Carrey. However, this movie certainly isn't one to be scrutinized for realism. You have to look at it, with all the gory scenes and shocking violence as not much more than just tongue-in-cheek satire on horror movies. It's great fun.
- ccthemovieman-1
- 30 ene 2007
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- El despertar del diablo 2: muerte al amanecer
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,600,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,923,044
- Fin de semana de estreno en EE. UU. y Canadá
- USD 807,260
- 15 mar 1987
- Total a nivel mundial
- USD 5,932,279
- Tiempo de ejecución1 hora 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original ratio, open matte)
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