CALIFICACIÓN DE IMDb
6.7/10
18 k
TU CALIFICACIÓN
Con un estrangulador en serie suelto, un contable deambula por la ciudad en busca del grupo de justicieros que intenta atrapar al asesino.Con un estrangulador en serie suelto, un contable deambula por la ciudad en busca del grupo de justicieros que intenta atrapar al asesino.Con un estrangulador en serie suelto, un contable deambula por la ciudad en busca del grupo de justicieros que intenta atrapar al asesino.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
Daniel von Bargen
- Vigilante
- (as Daniel Von Bargen)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe film is an homage and tribute to German Expressionist cinema, particularly the works of German filmmakers F.W. Murnau, Georg Wilhelm Pabst and Fritz Lang.
- Bandas sonorasThe Cannon Song from Little Threepenny Music
By Kurt Weill
Performed by Canadian Chamber Ensemble
Conducted by Raffi Armenian
Courtesy of CBC Records - Canadian Broadcasting Corporation
Opinión destacada
Another mid-career Allen film unfairly dismissed both by critics and (I must admit) myself at the time of it's release. Sometimes with great filmmakers, we get spoiled and anything flawed or less than pure genius gets maligned for being weaker than that filmmaker's very best work instead of being appreciated for being miles ahead of most of the films that get made.
I was shocked at how much better I liked this on a recent re-viewing almost 20 years after seeing it in the theater. Yes, the super-star cameos still seem a bit distracting and self-serving, but nowhere near as much as in 1992. Yes, some plot elements work better than others, the ending is kind of clunky, etc. But this is still a great-looking, visually dense film, that manages to tread (most of the time) a very difficult tightrope of being funny and playful, while still exploring disturbing themes of paranoia, guilt, crowd mentality, religion, etc. Certainly not a great film, but a brave one more worthy of being enjoyed for it's strengths than attacked for its admitted shortcomings.
I was shocked at how much better I liked this on a recent re-viewing almost 20 years after seeing it in the theater. Yes, the super-star cameos still seem a bit distracting and self-serving, but nowhere near as much as in 1992. Yes, some plot elements work better than others, the ending is kind of clunky, etc. But this is still a great-looking, visually dense film, that manages to tread (most of the time) a very difficult tightrope of being funny and playful, while still exploring disturbing themes of paranoia, guilt, crowd mentality, religion, etc. Certainly not a great film, but a brave one more worthy of being enjoyed for it's strengths than attacked for its admitted shortcomings.
- runamokprods
- 2 jul 2010
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,735,731
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,111,314
- 22 mar 1992
- Total a nivel mundial
- USD 2,735,731
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Sombras y niebla (1991) officially released in India in English?
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