Anthony Minghella's sophomore feature, and easily his least well known film. It's not too hard to see why. It seems like a pretty generic romantic comedy. I would say that's being unfair, though, as the characters are a little better written than you would expect from the genre, and there is a little more emotional connection, too. But, in the end, it opts for formula instead of trying to figure out a more believable solution. It should be mentioned that this is the only film Minghella directed in which he didn't have a hand in the screenplay. The film stars Matt Dillon and Annabella Sciorra as a divorced couple. Sciorra relies on alimony payments to live, and Dillon is unable to move forward in his current relationship with Mary Louise Parker or to invest in a bowling alley which his friends want to buy. The solution: find a suitable partner for the ex to marry, thus ending alimony. For a long time, it didn't seem like the movie was lame enough to have Dillon fall for his ex-wife, but, alas, that's what eventually happens. Personally, I was so smitten by Mary Louise Parker that I was especially disappointed. Then again, Dillon does come off as kind of a jerk, so I guess I didn't really care with whom he ended up. It's still moderately entertaining, but the straw that breaks the camel's back is the transcendently awful smooth jazz score. Apparently, the composer isn't even listed in the credits (at least IMDb doesn't list who wrote it), but this person deserves to be beaten.
