CALIFICACIÓN DE IMDb
7.6/10
48 k
TU CALIFICACIÓN
El día a día de varios residentes de los suburbios de Los Ángeles.El día a día de varios residentes de los suburbios de Los Ángeles.El día a día de varios residentes de los suburbios de Los Ángeles.
- Nominado a 1 premio Óscar
- 17 premios ganados y 19 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe film was shot in ten weeks. Each storyline was filmed in weekly divisions.
- ErroresWhen Paul and Howard are sitting in the hospital cafeteria, the food items on the table keep changing between shots.
- Citas
Tess Trainer: I hate L.A. All they do is snort coke and talk.
- ConexionesEdited into Short Cuts: Deleted Scenes (2004)
- Bandas sonorasI Don't Want to Cry Anymore
Composed by Victor Schertzinger
Used by permission of The Famous Music Publishing Companies
Performed by Annie Ross and The Low Note Quintet
Opinión destacada
After watching this film one thing I was left with was a feeling of tremendous euphoria, a glowing feeling which lasted well into the next morning. I could not help but think that this collage of events in the lives of 22 people in sunny LA was realism. Not the harsh gritty realism of 'Taxi Driver', but a different realism. This movie is who we are, as people. This movie chronicles the emotions we may have when confronted with a persistent crank caller, or the lingering suspicion of a partner's affair. And the acerbic intelligence of the script is tempered with director Altman's stunning technical virtuosity.
The style is very pastiche, and one scene cuts to another, as the title suggests, with reckless abandon. This lends a very fresh and watchable quality to what is by any standards a long film. While most of the characters never meet, the movie is given shape by the connections between scenes. The connections are of two kinds: thematic connections for which the credit goes to the script, and also visual connections whereby the direction and editing employed by Altman allow him to create recurring imagery with which he weaves the sprawling, kicking constituent bits and pieces of this movie together. This style works very well indeed and at the end of the film, miraculously you are left not with the impression of having just watched a series of 'short cuts', but something entirely more holistic in nature.
There was not a false note in the acting and the star-studded cast did great justice to a remarkable script. The casting is flawless, from Tim Robbins' adulterous cop to Julianne Moore's adulterous painter. The camera-work is refreshing in its fluidity and control, transmitting an intense watchability. However many feelings there are in the human emotional vocabulary (and I am sure there are a fair few), it seems that 'Short Cuts' is somehow able, in the course of three hours, to display (in the actors) and evoke (in the audience), each and every one of them. For those who are of the belief that modern Hollywood is unable to produce films of artistic merit, watch this movie now or hold your peace forever.
The style is very pastiche, and one scene cuts to another, as the title suggests, with reckless abandon. This lends a very fresh and watchable quality to what is by any standards a long film. While most of the characters never meet, the movie is given shape by the connections between scenes. The connections are of two kinds: thematic connections for which the credit goes to the script, and also visual connections whereby the direction and editing employed by Altman allow him to create recurring imagery with which he weaves the sprawling, kicking constituent bits and pieces of this movie together. This style works very well indeed and at the end of the film, miraculously you are left not with the impression of having just watched a series of 'short cuts', but something entirely more holistic in nature.
There was not a false note in the acting and the star-studded cast did great justice to a remarkable script. The casting is flawless, from Tim Robbins' adulterous cop to Julianne Moore's adulterous painter. The camera-work is refreshing in its fluidity and control, transmitting an intense watchability. However many feelings there are in the human emotional vocabulary (and I am sure there are a fair few), it seems that 'Short Cuts' is somehow able, in the course of three hours, to display (in the actors) and evoke (in the audience), each and every one of them. For those who are of the belief that modern Hollywood is unable to produce films of artistic merit, watch this movie now or hold your peace forever.
- Scorsese-2
- 5 mar 1999
- Enlace permanente
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- How long is Short Cuts?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Short Cuts
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,110,979
- Total a nivel mundial
- USD 6,110,979
- Tiempo de ejecución3 horas 8 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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