¡Átame!

I'm amazed that people don't get the irony underlying this film. If you've seen other, earlier Almodovar films, you'll know that he explores sexual situations that come emanate from all sorts of crazy situations (think of Law of Desire (1987), for example, in which Banderas plays a man exploring his homosexuality). But what makes this film so great is that, unlike Almodovar's other films, it attempts to explore the nature of the "conventional," heterosexual matrix which, through Almodovar's eyes, becomes completely nonsensical. Indeed, the relationship between Marina and Ricky is meant, ultimately, to be a parody of how such relationships work, as if heterosexuality (and its consequence, marriage) are almost inevitably equivalent in character to the infamous Stockholm syndrome. The final twist of the film, mistakenly hated for its apparently patriarchal overtones, is in fact a humorous subversion of conventional sexual politics. `You're crazy! Love a man who kidnaps you and ties you up? Is that normal?' exclaims Marina's sister. Well, actually, yes, according to Almodovar, it's completely normal. When viewed with irony (most viewers seem to have a bad case of literal disease when it comes to this film), this movie is a devastating critique of modern heterosexuality. Note that the trio sing the Spanish version of "I will survive" at the very end, when everything has supposedly worked out, in Candide fashion, for the best...