CALIFICACIÓN DE IMDb
7.5/10
10 k
TU CALIFICACIÓN
Se desarrolla una amistad inusual y maravillosa entre un vendedor ocupado pero infeliz y un residente de un manicomio.Se desarrolla una amistad inusual y maravillosa entre un vendedor ocupado pero infeliz y un residente de un manicomio.Se desarrolla una amistad inusual y maravillosa entre un vendedor ocupado pero infeliz y un residente de un manicomio.
- Premios
- 6 premios ganados y 6 nominaciones en total
Michele Maes
- Nathalie
- (as Michèle Maes)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBoth Pascal Duquenne and Daniel Auteuil tied for the Best Actor Award at the 1996 Cannes Film Festival for their roles in this film. This was the first time such an event had happened.
- ConexionesFeatured in 54th Golden Globe Awards (1997)
Opinión destacada
For anyone with a moderate sensibility, a moderate feeling of the human and humane condition, for anyone capable of getting above the Hollywood ilk, for anyone who is satisfied seeing cinema which does not have a series of Seagals/Willis/Van Dammes blasting the brains out of anybody or seeing who gets into bed with whom, for anyone whose intellectual level reaches a capacity to grasp, sympathise with, comprehend, laugh WITH, cry WITH natural tender heart-warming hilarious compassionate HUMAN BEINGS, `Le Huitième Jour' is waiting for you. Jaco van Dormael has not achieved simply a masterpiece, that would have been too simplistic; he has achieved one of those rare monumental works of art in the cinematographic world which defies any kind of encapsuling. Is it a drama? Is it a comedy? No: it is the story of Georges, a wonderful funny pitiful laughable loving frightened beautiful personality, a sufferer of the Downes Syndrome. It is a story which has you laughing through your tears, but this is not one of those classic tear-jerkers; this film moves through a world that has you at once mixing your feelings of compassion or pity or even shame with those of admiration, warmth and even love. A successful banking salesman, Harry, bumps into Georges: they were both going in opposite directions with absolutely opposing ideas, problems and priorities; skillfully van Dormael melts these two unlikely men into a warm friendship, but which is so much more than the good buddy friendship of those having a beer down the road. This is a relationship which develops into a profound needing by both for the other. The cuasi-surrealist scenes fit in perfectly: Georges recalls (or invents) past scenes of his life while either day-dreaming or sleeping; even the almost phantasmagorical final scene is totally correct. The only scene which might be considered a little out of place is when they steal a bus and drive it out of the show-rooms. However, this does not detract from the whole. This film is a monument. Even if your French is not up to much, please bear seeing it with sub-titles. `Le Huitième Jour' is worth the trouble. As for anything else, well, just read the following commentaries I go along with all of them. This film is a joy, it is majestic, it is unique. If you have seen `Rain Man' which I consider an excellent film, you must see this one: it is far superior because it has not the superficial veneer of famous Hollywood-produced world-renowned actors; it has Pascal Duquenne and Daniel Auteuil TEN oscars for these two, and three more for Jaco van Dormael. Who cares
? Yes: 11 out of 10 if the IMDb rating doesn't break down under the strain.
Magnifique! Chapeau!
Magnifique! Chapeau!
- khatcher-2
- 12 abr 2001
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- FRF 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 416,401
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,397
- 9 mar 1997
- Total a nivel mundial
- USD 33,031,984
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