Modernización del clásico de Charles Dickens sobre el desafortunado Finn, un pintor en Nueva York atrapado en un amor no correspondido con una amiga de infancia.Modernización del clásico de Charles Dickens sobre el desafortunado Finn, un pintor en Nueva York atrapado en un amor no correspondido con una amiga de infancia.Modernización del clásico de Charles Dickens sobre el desafortunado Finn, un pintor en Nueva York atrapado en un amor no correspondido con una amiga de infancia.
- Premios
- 1 premio ganado y 3 nominaciones en total
Gabriel Mann
- Owen
- (as Gabriel Mick)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaEthan Hawke later admitted he was not fond of the story due to its main theme of classism but was intrigued by Alfonso Cuarón's artistic modernization of it and was eager to work with him and Robert De Niro. He also notes that despite good reviews, it did not do well in the box office due to it being released during James Cameron's Titanic (1997) mania, but did rather well in the home rental market, VHS (and DVD) sales, and movie channel views. To this day, people still approach Hawke and tell him this is one of their favorite romantic movies.
- ErroresEstella says "I will go to France tomorrow." in French: "Je vais aller à France demain." This is incorrect French. The correct version would be: "Je vais aller en France demain."
- Citas
Ms. Nora Digger Dinsmoor: She'll only break your heart, it's a fact. And even though I warn you, even though I guarantee you that the girl will only hurt you terribly, you'll still pursue her. Ain't love grand?
- Créditos curiososThe credits are accompanied by images of all the artwork drawn by Finnegan Bell (Ethan Hawke). They run the entire duration of credits.
- Bandas sonorasBreak My Back
Written by Alan Mirikitani
Performed by Buddha Heads (as Buddah Heads)
Courtesy of Windswept Pacific Entertainment Co.
Opinión destacada
Hollywood and the movie industry have made many bold moves over the past decade in bringing to life old classics. None however have been done more boldly than the remoulding of William Shakespeare's Romeo and Juliet, and Charles Dicken's Great Expectations. Both are daring attempts to rebirth a storyline from the distant past, as a tale told in our modern times. I say attempt because in both cases, as good a job the cast and crew did, there was something lacking in these new renditions. Great Expectations, the movie, lacks many qualities that make the novel a success. It cannot be said to be a total loss, the basic elements are intact, it is only the embellishments Charles Dickens developed in the novel to make the story more realistic that are missing.
One success, I must admit that I observed while watching the film was the rich visual setting. Although not taking presented in the same place, or era Great Expectations, the movie, is a feast for the eyes. It captivates the mind with beautiful shots of the rural Florida coast life, and yet still retains the jumbled, rundown atmosphere that is described of Pip's small birthplace in a small English town. These qualities of squalor are evident in the impoverished coastal fishing village of the movie. The best achievement in cinematography, is the in-depth views of Pardiso Perduto, a sister mansion to the decaying Satis house of the novel. Even the scenes of New York, the city of "expectations" for our youthful protagonist, Finn, has contrasting aspects of rich beauty and unsightly slums that the London of the nineteen century demonstrated. This is the most major achievement for the film; to capture on film a most ingenious modern equivalent of Charles Dicken's astute descriptions.
Unlike some attempts to revamp literary successes the movie at least retains some of the dignity of Dicken's work. The core of his novel is intact within the screenplay. Also many ingenious ideas were used in some plot changes, and cinematography. Overall it is not a bad representation of the novel.
One success, I must admit that I observed while watching the film was the rich visual setting. Although not taking presented in the same place, or era Great Expectations, the movie, is a feast for the eyes. It captivates the mind with beautiful shots of the rural Florida coast life, and yet still retains the jumbled, rundown atmosphere that is described of Pip's small birthplace in a small English town. These qualities of squalor are evident in the impoverished coastal fishing village of the movie. The best achievement in cinematography, is the in-depth views of Pardiso Perduto, a sister mansion to the decaying Satis house of the novel. Even the scenes of New York, the city of "expectations" for our youthful protagonist, Finn, has contrasting aspects of rich beauty and unsightly slums that the London of the nineteen century demonstrated. This is the most major achievement for the film; to capture on film a most ingenious modern equivalent of Charles Dicken's astute descriptions.
Unlike some attempts to revamp literary successes the movie at least retains some of the dignity of Dicken's work. The core of his novel is intact within the screenplay. Also many ingenious ideas were used in some plot changes, and cinematography. Overall it is not a bad representation of the novel.
- marty-133
- 15 nov 1999
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- How long is Great Expectations?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Great Expectations
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 26,420,672
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,593,290
- 1 feb 1998
- Total a nivel mundial
- USD 55,494,066
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What was the official certification given to Grandes esperanzas (1998) in Italy?
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