Los residentes de un pueblo en tierras asoladas por tornados vagan por el paisaje desértico viviendo sus monótonas vidas.Los residentes de un pueblo en tierras asoladas por tornados vagan por el paisaje desértico viviendo sus monótonas vidas.Los residentes de un pueblo en tierras asoladas por tornados vagan por el paisaje desértico viviendo sus monótonas vidas.
- Dirección
- Guionista
- Elenco
- Premios
- 4 premios ganados y 2 nominaciones en total
Chloë Sevigny
- Dot
- (as Chloe Sevigny)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaOther cast members were recruited during the film's lengthy pre-production period. Harmony Korine often approached people on the street, in bowling alleys and in fast food restaurants, and asked them to play a part in his movie.
- ErroresDuring the skinhead boxing scene in the kitchen, a crew member's hand is visible holding onto a piece of equipment or railing on the bottom left corner of the screen.
- ConexionesFeatured in Belly (1998)
- Bandas sonorasMy Little Rooster
Performed by Almeda Riddle
Written by M. Okrun
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Published by Alpha Film Music (BMI)
Opinión destacada
Harmony Korine did this when he was 24 years old and everything else aside I like it a lot that a young person gets to tell us what it can be to be young. Irrespective of whether or not a young man has yet found something important to say at 24, I don't like it that professional directors' careers start well into their thirties. There's a big age gap there that is only talked about in hindsight, after the fact. Perspectives and values change as we grow older, whether or not a young man will mature to the point of recognizing the follies and dreams of his youth or he'll embrace the anger and grow up to be GG Allin, and whether or not settling down to a regular life is a personal betrayal of a former self, I think something like Gummo needs to be made and more of it.
This is punk filmmaking at its scummiest, the vibe of antisocial angst despair and anger is pure necro punk rock like GG Allin throwing feces at his audience and smashing beer cans open on his head, it's about being violent and eccentric right now as a means of killing time and making something out of tearing down something else. Yet it's also oddly poetic for the same reason. It's not poetic because a kid will eat spaghetti and chocolate in the bathtub or because a kid with bunny ears rides his bike around a post-apocalyptic landscape of trailerpark white trash, but more because it assumes important things can be said through all this. When Korine speaks of life and death, whether or not life is worth living, when he attakcs society as complacent and apathetic, the results feel immature to me: this is reaction from a vantage point of being too young to start caring, an act of vandalism from the safe point of having your own thing wrecked. But it's good to have these things captured on film then thrown away for anyone who might wanna find them.
I read a bit about Trash Humpers and it seems Harmony Korine doesn't feel there's anything to grow out of. Watching him in his Letterman interviews gives me a clue to all this: the guy is awkward but he's cute awkward, the kind of awkward women want to hold in their arms. I know a skater guy like this, he's 30 years old but looks 25, has his face pierced and hair colored blue or magenta for as long as I've known him, and is endearingly weird. He's never had a shortage of girlfriends. He reminds me of Gummo where despair and malaise plays like a sort of lifestyle. Real awkward people, people who really can't get anywhere in life, don't make movies. I'd like to see their Gummos, this is a bit too cute.
This is punk filmmaking at its scummiest, the vibe of antisocial angst despair and anger is pure necro punk rock like GG Allin throwing feces at his audience and smashing beer cans open on his head, it's about being violent and eccentric right now as a means of killing time and making something out of tearing down something else. Yet it's also oddly poetic for the same reason. It's not poetic because a kid will eat spaghetti and chocolate in the bathtub or because a kid with bunny ears rides his bike around a post-apocalyptic landscape of trailerpark white trash, but more because it assumes important things can be said through all this. When Korine speaks of life and death, whether or not life is worth living, when he attakcs society as complacent and apathetic, the results feel immature to me: this is reaction from a vantage point of being too young to start caring, an act of vandalism from the safe point of having your own thing wrecked. But it's good to have these things captured on film then thrown away for anyone who might wanna find them.
I read a bit about Trash Humpers and it seems Harmony Korine doesn't feel there's anything to grow out of. Watching him in his Letterman interviews gives me a clue to all this: the guy is awkward but he's cute awkward, the kind of awkward women want to hold in their arms. I know a skater guy like this, he's 30 years old but looks 25, has his face pierced and hair colored blue or magenta for as long as I've known him, and is endearingly weird. He's never had a shortage of girlfriends. He reminds me of Gummo where despair and malaise plays like a sort of lifestyle. Real awkward people, people who really can't get anywhere in life, don't make movies. I'd like to see their Gummos, this is a bit too cute.
- chaos-rampant
- 12 oct 2010
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Detalles
Taquilla
- Presupuesto
- USD 1,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 116,799
- Total a nivel mundial
- USD 116,799
- Tiempo de ejecución1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Gummo (1997) officially released in India in Hindi?
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