CALIFICACIÓN DE IMDb
5.9/10
12 k
TU CALIFICACIÓN
Cuando una pintura es calificada de blasfema, un joven ministro y su esposa visitan al artista, y a las tres modelos sexualmente juguetonas que viven con él.Cuando una pintura es calificada de blasfema, un joven ministro y su esposa visitan al artista, y a las tres modelos sexualmente juguetonas que viven con él.Cuando una pintura es calificada de blasfema, un joven ministro y su esposa visitan al artista, y a las tres modelos sexualmente juguetonas que viven con él.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Tziporah Malkah
- Pru
- (as Kate Fischer)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAlthough this is a work of fiction, it is centered around a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Corazones en fuga (1969) which tells a different version of this same story.
- ErroresIn the first dining room scene, as Norman leaves the table, Giddy offers Estella some tea. Moments later in the scene, as Tony is speaking, Giddy and Estella can be seen repeating the action in the background.
- Créditos curiososThe situations depicted in this film are fictitious and do not represent events in the lives of Rose, Norman, Jane and Honey Lindsay.
- Versiones alternativasAccording to the Technical Specifications link for this page on IMDB, there are two different versions of this film: "1 hr 38 min (98 min)," and "1 hr 34 min (94 min) (Canada)."
- ConexionesEdited from A Steam Train Passes (1974)
- Bandas sonorasGrey Funnel Line
Written by Cyril Tawney
Dick James Music, Ltd.
Performed by Silly Sisters
Courtesy of Chrysalis Records, Ltd.
Opinión destacada
I never heard of this film until the director for our theater company mentioned it as a possible project to adapt to live theater. I have to say when I first viewed the film I was a bit shocked for personal reasons. We have a fairly small group and if taken directly it would mean I would be playing one of the nude models. After studying the film's critiques and background I slowly came around to appreciate the film's merits, if not completely comfortable with the nudity. The point is that the nudity is not suppose to be comfortable from the audience point of view. The story takes place in an almost mystical world untarnished by outside influences and taboos. It is indeed a wonderful Eden. As an actress I had to be comfortable within the Eden created on stage, despite being uncomfortable in front of fellow "actors" and the audience. This has become one of my favorite films for helping me grow as an actress and as a member of the audience.
- SanDiego
- 21 feb 2000
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 7,770,731
- Fin de semana de estreno en EE. UU. y Canadá
- USD 34,299
- 6 mar 1994
- Total a nivel mundial
- USD 7,770,731
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