Un grupo de ladrones de banco profesionales sabe que tiene a la policía en los talones tras dejar una pista en su último robo por error.Un grupo de ladrones de banco profesionales sabe que tiene a la policía en los talones tras dejar una pista en su último robo por error.Un grupo de ladrones de banco profesionales sabe que tiene a la policía en los talones tras dejar una pista en su último robo por error.
- Dirección
- Guionista
- Elenco
- Premios
- 15 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaRather than dubbing in the gunshots during the bank robbery shoot-out, Michael Mann had microphones carefully placed around the set so that the audio could be captured live. This added to the impact of the scene, because it sounded like no other gunfight shown on-screen.
- ErroresIn the final scene, the approach light system at LAX airport is shown turning on and off for individual aircraft as they approach to land. In actuality, approach lights to runways remain lit at the same level of intensity for aircraft. They are not turned 'up' and 'down' for each airplane.
- Citas
Vincent Hanna: I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set!
- Versiones alternativasFor the film's Blu-ray release in 2009, director Michael Mann made two minor changes to the film (this Blu-ray cut has been used for all subsequent home video releases):
- When Vincent Hanna (Al Pacino) returns to the restaurant to pick up Justine (Diane Venora), they have a low-key argument about his obsessive police work and how it is affecting the marriage. In the Theatrical Cut, Justine says, "You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through." In the Blu-ray cut, the line "You sift through the detritus" has been removed. To cover this edit, the camera cuts to Hanna rather than staying on Justine for the entirety of her monologue (which was how the scene played out in the Theatrical Cut).
- When Hanna is speaking to Alan Marciano (Hank Azaria), Marciano questions why he got involved with Charlene Shiherlis (Ashley Judd) at all, and Hanna shouts, "Cause she's got a great ass...and you got your head all the way up it!" The camera cuts to a stunned Marciano, and we hear Hanna say, "Ferocious, aren't I?" The camera then cuts to Hanna and he says, "When I think of asses, a woman's ass, something comes out of me." In the Blu-ray cut, the line "Ferocious, aren't I?" has been removed from the audio track.
- Bandas sonorasAlways Forever Now
Music by Passengers
Performed by Passengers
Courtesy of Island Records Ltd.
By Arrangement with PolyGram Film & TV Licensing
Opinión destacada
I really believe this is one the great crime movies of all time. It has some drawbacks that wouldn't make me recommend this for family viewing - tons of f- words by Al Pacino and a few bloody scenes, but as far as a fascinating crime story: wow!
This movie made modern-day history because it was the first time two of the great actors of this generation - Pacino and Robert De Niro - finally acted together in the same film. Those two didn't disappoint, either. They were great to watch and one of the huge highlights of the film, to me, was when they faced each other in a simple conversation over a cup of coffee. That conversation has always fascinated me, no matter how many times I've heard it. It was such a "landmark" scene that It's even the subject of a short documentary on the special-edition DVD.
As with the conversation scene, the shootout segment in the streets of Los Angeles still astounds me no matter how many times I see it. The other action scenes are intense and memorable, too, and the cast in here is deep. This isn't just Pacino and De Niro. It's Val Kilmer, Ashley Judd, Jon Voight, Diana Venora, Natlie Portman, Tom Sizemore, Amy Brenamann, Wes Studi, Ted Levine, Mykelti Williamson, on and on.
Put that fabulous cast under Michael Mann, one of the best directors in business, add a great soundtrack and interesting camera-work and you have a great film. At three hours long, it never bores one and at same time, doesn't overdo the action, either. I read one critic criticize this film because of the time taken to examine the personal lives of the main characters, but you can't have three hours of nothing but action. The only scene I felt went on a bit too long was the ending chase at the airport, but that's nitpicking considering the film as a whole.
This is just one of those movies where a great cast and director live up to their billing.
This movie made modern-day history because it was the first time two of the great actors of this generation - Pacino and Robert De Niro - finally acted together in the same film. Those two didn't disappoint, either. They were great to watch and one of the huge highlights of the film, to me, was when they faced each other in a simple conversation over a cup of coffee. That conversation has always fascinated me, no matter how many times I've heard it. It was such a "landmark" scene that It's even the subject of a short documentary on the special-edition DVD.
As with the conversation scene, the shootout segment in the streets of Los Angeles still astounds me no matter how many times I see it. The other action scenes are intense and memorable, too, and the cast in here is deep. This isn't just Pacino and De Niro. It's Val Kilmer, Ashley Judd, Jon Voight, Diana Venora, Natlie Portman, Tom Sizemore, Amy Brenamann, Wes Studi, Ted Levine, Mykelti Williamson, on and on.
Put that fabulous cast under Michael Mann, one of the best directors in business, add a great soundtrack and interesting camera-work and you have a great film. At three hours long, it never bores one and at same time, doesn't overdo the action, either. I read one critic criticize this film because of the time taken to examine the personal lives of the main characters, but you can't have three hours of nothing but action. The only scene I felt went on a bit too long was the ending chase at the airport, but that's nitpicking considering the film as a whole.
This is just one of those movies where a great cast and director live up to their billing.
- ccthemovieman-1
- 14 feb 2006
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Heat?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Heat
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 60,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 67,436,818
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,445,656
- 17 dic 1995
- Total a nivel mundial
- USD 187,436,818
- Tiempo de ejecución2 horas 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the streaming release date of Fuego contra fuego (1995) in Canada?
Responda