Agrega una trama en tu idiomaA chance photograph may reveal a murderer's identity - and someone's after the photographer!A chance photograph may reveal a murderer's identity - and someone's after the photographer!A chance photograph may reveal a murderer's identity - and someone's after the photographer!
Fotos
Ingeborg von Kusserow
- Maxine Goldner
- (as Ingeborg Wells)
Frank Forsyth
- Inspector Grayle
- (as Frank Forsythe)
Margot Bryant
- Cleaning Woman
- (sin créditos)
Patrick Jordan
- Policeman
- (sin créditos)
Ronald Leigh-Hunt
- Post Office Clerk
- (sin créditos)
Richard Neller
- Man Putting Out Milk Bottle
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaShot in three weeks.
- Citas
Mike Gerraty: I'm interested in a set of photographs.
Barbara Leyland: So are the police!
Opinión destacada
This one is pure formula. If you like your crime stories dished up very simply and predictably, you may enjoy it.
It seemed to me that the biggest crime in the movie was committed by the script writer, who has taken a brilliant story concept (a chance photograph of a murder) and managed to strip it of all dramatic interest. There are no real surprises and no suspense to keep your interest. About the only positive things I could say are that the movie has accidentally done a fine job of recording English town and country scenes in the 1950s, and the musical score by Australian composer John Lanchbery is of some interest.
By contrast, just 12 years later Antonioni's classic movie `Blowup' (1966) took almost the same story concept and wove a web of suspense, mystery, fear, imagination, sexuality and keen social observation. I wonder if the writers of Blowup ever saw this sad little precursor. If they did draw inspiration from it, they would probably be the only people who ever did.
Oh and by the way, it's not giving too much away to say that the hero and heroine never get closer than bumping into each other by accident. Apparently only the baddies have sex. Curse that prudish decade of the 1950s!
It seemed to me that the biggest crime in the movie was committed by the script writer, who has taken a brilliant story concept (a chance photograph of a murder) and managed to strip it of all dramatic interest. There are no real surprises and no suspense to keep your interest. About the only positive things I could say are that the movie has accidentally done a fine job of recording English town and country scenes in the 1950s, and the musical score by Australian composer John Lanchbery is of some interest.
By contrast, just 12 years later Antonioni's classic movie `Blowup' (1966) took almost the same story concept and wove a web of suspense, mystery, fear, imagination, sexuality and keen social observation. I wonder if the writers of Blowup ever saw this sad little precursor. If they did draw inspiration from it, they would probably be the only people who ever did.
Oh and by the way, it's not giving too much away to say that the hero and heroine never get closer than bumping into each other by accident. Apparently only the baddies have sex. Curse that prudish decade of the 1950s!
- Neil-117
- 19 jul 2000
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Der Mann im Rücksitz
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 1 minuto
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Double Exposure (1954) officially released in Canada in English?
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