Agrega una trama en tu idiomaA compilation of scenes featuring some of the best-known comics from the silent era in their best films.A compilation of scenes featuring some of the best-known comics from the silent era in their best films.A compilation of scenes featuring some of the best-known comics from the silent era in their best films.
Stan Laurel
- Stan
- (material de archivo)
- (as Laurel)
Oliver Hardy
- Ollie
- (material de archivo)
- (as Hardy)
Ben Turpin
- Rodney St. Clair
- (material de archivo)
Andy Clyde
- Andy
- (material de archivo)
Edgar Dearing
- Policeman at Car Fight
- (material de archivo)
Madalynne Field
- Fat Girl Track Competitor
- (material de archivo)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- ErroresThe narrator cites a clip of Laurel and Hardy as coming from "We Slip Up." Laurel and Hardy never made a movie with that title. The actual movie referenced is We Faw Down (1928).
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CAVALCATA DELLA RISATA (1957) + LA BOMBA COMICA (Ça c'est du cinéma, 1951)" (2 Films on a single DVD, with "Ça c'est du cinéma" in double version, with alternative cut titled "I terribili antenati di James Bond"), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesEdited from The Dare-Devil (1923)
Opinión destacada
Robert Youngson's first big compilation of silent comedy clips holds an important place in the history of film. Before this film, silent films were viewed as creaky antiques, suitable only for the occasional sneering jeer, like the "Goofy Movie" series and the rare fond memory of old-timers. It was only beginning in 1949, with Walter Kerr's article on the "Four Greats" of silent comedy, that a reappraisal began.
If, as some reviewers complain, there is no Lloyd, Keaton or Chaplin available here, well, their place was already being reestablished or, in Chaplin's case, had never been questioned. If the movie begins with a series of clips from the Sennett studios, it was surely Sennett's reputation which had sunk lowest, until he was recalled only as a purveyor of primitive pie fights in worn-out prints. Here, Youngson offers them in clean copies with admiring voice-overs and good musical accompaniment. If they're not the way the audience was intended to see them -- as complete films -- this surely shows them off to advantage as they had not been seen in thirty years. If nowadays the purist sneers at the film's perceived shortcomings, he should recognize that without Youngson's daring and surprisingly successful offering here, that purist would probably have never heard of those talents; given that almost all that survives of the Laurel & Hardy THE BATTLE OF THE CENTURY exists only because Youngson put most of its second reel here....
If, as some reviewers complain, there is no Lloyd, Keaton or Chaplin available here, well, their place was already being reestablished or, in Chaplin's case, had never been questioned. If the movie begins with a series of clips from the Sennett studios, it was surely Sennett's reputation which had sunk lowest, until he was recalled only as a purveyor of primitive pie fights in worn-out prints. Here, Youngson offers them in clean copies with admiring voice-overs and good musical accompaniment. If they're not the way the audience was intended to see them -- as complete films -- this surely shows them off to advantage as they had not been seen in thirty years. If nowadays the purist sneers at the film's perceived shortcomings, he should recognize that without Youngson's daring and surprisingly successful offering here, that purist would probably have never heard of those talents; given that almost all that survives of the Laurel & Hardy THE BATTLE OF THE CENTURY exists only because Youngson put most of its second reel here....
- boblipton
- 10 ago 2014
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The First Kings of Comedy
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was The Golden Age of Comedy (1957) officially released in Canada in English?
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