La humanidad en un futuro militarizado y fascista entra en guerra contra una raza de insectos gigantes alienígenas en esta sátira de la política global moderna.La humanidad en un futuro militarizado y fascista entra en guerra contra una raza de insectos gigantes alienígenas en esta sátira de la política global moderna.La humanidad en un futuro militarizado y fascista entra en guerra contra una raza de insectos gigantes alienígenas en esta sátira de la política global moderna.
- Nominado a 1 premio Óscar
- 3 premios ganados y 16 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaIn a 2016 interview, Casper Van Dien revealed a funny incident when he was picking up his two daughters from school: "I went by the line at school to pick up my kids.....I drive up to the school, and when I get there there are these six ten- and eight-year-old boys hanging out with my daughters. I pull up in the line, and the boys go, 'Johnny Rico! Why didn't you tell us your dad was Johnny Rico?' And I said, 'What are you boys doing watching STARSHIP TROOPERS?' And they said, 'Our dads made us watch it with them!' Then my daughters get in the car, and my ten-year-old says, 'Dad, were you really naked in STARSHIP TROOPERS?' And I said, 'Yeah,' and she said, 'How could you do that to me?!' Then my eight-year-old says, 'Wait, like naked naked?' And I said 'Yup,' and she said, 'Oh my God, my life is ruined!' That was the longest three minute ride home I have had in my life."
- ErroresWhen Rasczak's mobile infantry troop are on their way to investigate the distress call on Planet P, Rico is scanning the tops of the canyon walls with binoculars. When he almost sees the winged Arachnid, there are rocks falling. A hand can be seen lobbing one of the rocks over the wall.
- Citas
Jean Rasczak: Come on you apes! You want to live forever?
- Versiones alternativasSeveral scenes were modified to tone down the movie for showing on Russian television. Aside from cutdowns similar to the Australian version to tone down the violence, of note is a modification to the video feed scene (where Rico 'walks' Carmen through his surroundings, camera in hand) - when his teammates take off their pants to moon the camera, static was added to cover the nudity up. Also, the shower room and the sex scene were slightly cut to remove frontal nudity.
- ConexionesEdited into Starship Troopers: Deleted Scenes (1998)
- Bandas sonorasInto It
Produced by Terry Becker (as Terri Becker), Bernard Estardy, Zoë Poledouris and Christopher Tyng
Written and Performed by Zoë Poledouris
Opinión destacada
My title is a quote from director Paul Veerhoven who makes no attempt to water down his political views in "Starship Troopers", a merciless, satirical skewering of those superpowers throughout history who believe war solves the world's problems.
That opening sentence is a mouthful, so let me explain a little further. In the director's commentary, Mr. Veerhoven makes no bones about naming the USA as the greatest offender. In an awkwardly funny moment, his co-commenter, screenwriter Edward Neumeier, mutters "Yeah but we did save your ass in World War II." To which Mr. Veerhoven clarifies, "But this is not about World War II, it's about what happened *after* World War II." And thus, the entire philosophy is explained in a way that patriots as well as pinko commies can understand. "Starship Troopers" is a cautionary tale about what happens when war ceases to be a necessary evil and instead becomes an unnecessary thrill. It begins with some hilariously obvious propaganda satires, all about joining the military (including a funny scene of a 12 year old kid in full battle attire). The rest of the movie is peppered with such dark comedic skits, a lot like Veerhoven's "Robocop" a decade earlier.
Where the film is brilliant (or disastrous, see below) is in the way the battle scenes do thrill us, almost to the point that we lose ourselves in the hysteria of warfare, and only upon sober reflection do we realize that Mr. Veerhoven has just proved how easy it is to become a mindless minion of violence. The disastrous part is that I'm afraid many audience members never sobered up and walked out of the theater thinking "Go war!" Such is the pitfall of making a satire; you run the risk of promoting the very thing you seek to ridicule.
Something very interesting that Veerhoven did was to use giant bugs as the enemy. I mean, who doesn't hate bugs?? Certainly no human I know. And that's the point: by presenting an enemy that's so universally hated as a bug, Veerhoven turns the magnifying glass on ourselves and challenges us to answer why we hate bugs, why we like to kill them so violently (crushed until their guts spew out) or gassed so that they die of painful asphyxiation before our eyes. If you caught the message of this film, you'll probably think twice about stomping that little spider who had the misfortune of being sighted in your presence.
Oh a final note that's a very nice touch. There's a scene in this film where a bunch of kids are stomping on cockroaches. You'll be pleased to know that the cockroaches were fake, and literally no animals were harmed in the making of this film. Touché, Mr. Veerhoven.
That opening sentence is a mouthful, so let me explain a little further. In the director's commentary, Mr. Veerhoven makes no bones about naming the USA as the greatest offender. In an awkwardly funny moment, his co-commenter, screenwriter Edward Neumeier, mutters "Yeah but we did save your ass in World War II." To which Mr. Veerhoven clarifies, "But this is not about World War II, it's about what happened *after* World War II." And thus, the entire philosophy is explained in a way that patriots as well as pinko commies can understand. "Starship Troopers" is a cautionary tale about what happens when war ceases to be a necessary evil and instead becomes an unnecessary thrill. It begins with some hilariously obvious propaganda satires, all about joining the military (including a funny scene of a 12 year old kid in full battle attire). The rest of the movie is peppered with such dark comedic skits, a lot like Veerhoven's "Robocop" a decade earlier.
Where the film is brilliant (or disastrous, see below) is in the way the battle scenes do thrill us, almost to the point that we lose ourselves in the hysteria of warfare, and only upon sober reflection do we realize that Mr. Veerhoven has just proved how easy it is to become a mindless minion of violence. The disastrous part is that I'm afraid many audience members never sobered up and walked out of the theater thinking "Go war!" Such is the pitfall of making a satire; you run the risk of promoting the very thing you seek to ridicule.
Something very interesting that Veerhoven did was to use giant bugs as the enemy. I mean, who doesn't hate bugs?? Certainly no human I know. And that's the point: by presenting an enemy that's so universally hated as a bug, Veerhoven turns the magnifying glass on ourselves and challenges us to answer why we hate bugs, why we like to kill them so violently (crushed until their guts spew out) or gassed so that they die of painful asphyxiation before our eyes. If you caught the message of this film, you'll probably think twice about stomping that little spider who had the misfortune of being sighted in your presence.
Oh a final note that's a very nice touch. There's a scene in this film where a bunch of kids are stomping on cockroaches. You'll be pleased to know that the cockroaches were fake, and literally no animals were harmed in the making of this film. Touché, Mr. Veerhoven.
- rooprect
- 20 nov 2014
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Starship Troopers
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 105,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 54,814,377
- Fin de semana de estreno en EE. UU. y Canadá
- USD 22,058,773
- 9 nov 1997
- Total a nivel mundial
- USD 121,214,377
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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