Vlad Tepes

like many films under Comunist regime, it is a tool of propaganda. and this is the rule who defines especially historical films. the past legitimating the present. the hero in heroic aura. the history as a kind of magnificent page of hagiography. two small details impose the difference. first - the theme. it could be an answer to the image of vampire who is so popular in West. and who has an explanation in film. then - the performances. like in many other Romanian films from the same period, saving the film against the not remarkable dialogues or political command.in rest - well known ingredients : the fight scenes, the music, the war between boyars and the leader, the loyal poor men and the Ottoman Empire. but the virtue is the science of Ștefan Sileanu to do a remarkable Vlad Țepeș. to reflect the essence of a not comfortable and too ambiguous character. then,Alexandru Repan as Mahomed II and the fascinating meet between Vlad and the Valachian Metropolit.