Los tallos amargos

1956
1h 30min

CALIFICACIÓN DE IMDb

7.6/10

729

TU CALIFICACIÓN

Carlos Cores, Vassili Lambrinos, Aída Luz, and Julia Sandoval in Los tallos amargos (1956)

Crime Drama

Agrega una trama en tu idiomaA washed up reporter teams up with an immigrant from Hungary to start a fake journalism by correspondence school.A washed up reporter teams up with an immigrant from Hungary to start a fake journalism by correspondence school.A washed up reporter teams up with an immigrant from Hungary to start a fake journalism by correspondence school.

Dirección
- Fernando Ayala
Guionistas
- Sergio Leonardo
- Adolfo Jasca
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.6/10

729

TU CALIFICACIÓN

Dirección
- Fernando Ayala
Guionistas
- Sergio Leonardo
- Adolfo Jasca
Elenco

Ver la información de producción en IMDbPro

Premios
- 2 premios ganados en total

Fotos89

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Trivia
As discussed on TCM's Noir Alley by host Eddie Muller in July 2021, a screening of the restored 35mm print of this film was held on behalf of the Film Noir Foundation at the Museum of Modern Art (MoMA) in New York City in February 2016, and shockingly in attendance was 90 year-old Vassili Lambrinos, who, after years of living in various parts of the globe, was living just a few blocks from MoMA. Lambrinos had never seen the film on the big screen nor with an audience before that screening, having seen the film only in an editing room before then.

Citas
Liudas: In Paris, there are fools. In Berlin, there are fools. In Buenos Aires, there are fools! It's sad, but it's a fact.

Opiniones de usuarios12

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Opinión destacada

10/10

Better than American noir

I've always searched great but unknown films noirs from outside USA, in England of course, but also France, Italy, Scandinavia, Egypt, South America and especially Argentina.

I just discovered this Argentinian noir movie, and it's a must. A real tough brainstorming in music, cinematography, script, acting. A constant crescendo creepy atmosphere about a man possessed by nasty war II nightmares. Very intelligent use of music by Astor Piazolla , wonderful cinematography by Ricardo Younis (Gregg Tolland's student). And what an ending, never seen such a cynical one. Bravo.