CALIFICACIÓN DE IMDb
6.7/10
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La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.
- Nominado a 2 premios Óscar
- 14 nominaciones en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
- ErroresUpon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China.
Emperor Tongzhi was 5 years old at his ascension. Tongzhi married Empress Xiaozheyi and two official concubines in 1872 at the age of 16. He later married two more Official Concubines before his death from smallpox at age 18 in 1872, which is four Concubines. Tongzhi preferred the company of his wife, Empress Xiaozheyi, to that of any of his four Concubines.
- Citas
[last lines]
King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.
- Bandas sonorasJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
Opinión destacada
The story is well known and has been told many times. Topping the film adaptations competition is the 1956 musical 'The King and I', among my favourite film musicals.
'Anna and the King' is around the same level as 1946's 'Anna and the King of Siam' in terms of rating, and is much better than the limp 1999 animated version of 'The King and I', which saw the musical get the butcher's treatment, and the execrable obscure low-budget animated version from Burbank Animation Studios.
It does go on a little longer than needed, consequently some parts do drag a little, while the subplot with the rebel general is on the implausible side and doesn't give the amount of tension it had potential to do.
On the other hand, 'Anna and the King' is stunning to look at with colourful, sumptuous costumes and the exquisite art direction rightfully garnering Oscar nominations, aided by cinematography of a sweeping beauty. George Fenton's music score is rousing, understated and uplifting, and the theme song a nice fit.
Further good things are a story that has a great mix of epic, poignant drama, dignified and sometimes tense romance and intriguing, if inaccurate, history. The conflicts are somewhat complicated initially but dealt with compellingly without making the film unfocused. The script is thought-provoking, and Andy Tennant (fresh from the previous year's delightful 'Ever After: A Cinderella Story', still a personal favourite) directs assuredly.
Jodie Foster, apart from occasional tentative performance, gives a performance of great dignity and authoritative strength with an immaculate accent. Chow-Yun Fat's performance as the King is nothing short of superb, a portrayal of many nuances and sweet-natured subtlety. All the cast do well, including a pre-'Harry Potter' Tom Felton.
On the whole, a very strong film with a few faults. 8/10 Bethany Cox
'Anna and the King' is around the same level as 1946's 'Anna and the King of Siam' in terms of rating, and is much better than the limp 1999 animated version of 'The King and I', which saw the musical get the butcher's treatment, and the execrable obscure low-budget animated version from Burbank Animation Studios.
It does go on a little longer than needed, consequently some parts do drag a little, while the subplot with the rebel general is on the implausible side and doesn't give the amount of tension it had potential to do.
On the other hand, 'Anna and the King' is stunning to look at with colourful, sumptuous costumes and the exquisite art direction rightfully garnering Oscar nominations, aided by cinematography of a sweeping beauty. George Fenton's music score is rousing, understated and uplifting, and the theme song a nice fit.
Further good things are a story that has a great mix of epic, poignant drama, dignified and sometimes tense romance and intriguing, if inaccurate, history. The conflicts are somewhat complicated initially but dealt with compellingly without making the film unfocused. The script is thought-provoking, and Andy Tennant (fresh from the previous year's delightful 'Ever After: A Cinderella Story', still a personal favourite) directs assuredly.
Jodie Foster, apart from occasional tentative performance, gives a performance of great dignity and authoritative strength with an immaculate accent. Chow-Yun Fat's performance as the King is nothing short of superb, a portrayal of many nuances and sweet-natured subtlety. All the cast do well, including a pre-'Harry Potter' Tom Felton.
On the whole, a very strong film with a few faults. 8/10 Bethany Cox
- TheLittleSongbird
- 26 nov 2016
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Detalles
Taquilla
- Presupuesto
- USD 92,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 39,263,420
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,223,416
- 19 dic 1999
- Total a nivel mundial
- USD 113,996,937
- Tiempo de ejecución2 horas 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was Anna y el rey (1999) officially released in India in English?
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