CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Cody vive con su tía hasta que la raptan. Através del FBI, descubre que Cody tiene poderes sobrenaturales, y sus secuestradores son una secta satánica dispuesta a todo para arrebatárselos.Cody vive con su tía hasta que la raptan. Através del FBI, descubre que Cody tiene poderes sobrenaturales, y sus secuestradores son una secta satánica dispuesta a todo para arrebatárselos.Cody vive con su tía hasta que la raptan. Através del FBI, descubre que Cody tiene poderes sobrenaturales, y sus secuestradores son una secta satánica dispuesta a todo para arrebatárselos.
- Premios
- 1 premio ganado y 6 nominaciones en total
Dimitra Arliss
- Dahnya
- (as Dimitra Arlys)
Argumento
¿Sabías que…?
- TriviaThe line, "The devil's greatest trick was convincing man that he didn't exist," is reminiscent of a similar line in another movie of the same genre, El día final (1999), in which Father Kotak (Rod Steiger) says: "Satan's greatest trick was convincing man that he didn't exist". It is also similar to Sospechosos comunes (1995), where the line is, "The greatest trick the devil ever pulled was convincing man that he didn't exist". In fact, that idea goes back to Charles Baudelaire (1821-1867): "La plus belle des ruses du Diable est de vous persuader qu'il n'existe pas!" (English: "The finest trick of the devil is to persuade you that he does not exist."
- ErroresIn the scene with the homeless man, Eric Stark recites a spell in Hebrew that is later referred to as a "Druid Rune Spell from the 16th century."
- Citas
[On the top ledge of a building]
Eric Stark: If you believe? JUMP! If not, you come to me.
[She turns and looks at him]
Cody: After you?
- ConexionesFeatures Héroes de ocasión (1933)
- Bandas sonorasVultures
Composed by Philip A. Scheib (as Philip Scheib)
Opinión destacada
Oh yay: Good vs. Evil. Light vs. Dark. God vs. Lucifer. Do we need another one of those? Not if it's of this weak calibre.
Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?
Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.
Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.
`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.
Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?
Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.
Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.
`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.
- Aidan McGuinness
- 1 nov 2002
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- How long is Bless the Child?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 65,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 29,381,494
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,413,684
- 13 ago 2000
- Total a nivel mundial
- USD 40,443,010
- Tiempo de ejecución1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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