In all honesty, I must state that my rating and review of "Napoli Spara!" perhaps aren't 100% reliable. Reason for this is because I watched the film in Italian language, without any subtitles, but I don't speak Italian at all! In my defense, the film had been standing on my must-see list for an awful long time and the only version available for purchase was this cheap Italian DVD-R without any extras or language options whatsoever. Here's a word of advice: if you ever, like me, assume that you don't necessarily need to understand what's being said in a Poliziotesschi film, think again! Of course these movies are primarily about wild action sequences, explicit violence and guerrilla stunt work, but the plot and the dialogues are still very important! What I did understand is that the ultra-charismatic Henry Silva depicts a real bad SOB! He commits an extremely violent armed train robbery, with naturally lots of civilian casualties, and even organizes a heist on the evidence room of a police station! Leonard Mann is the devoted police detective tailing him, but Silva is the smart and slimy type of gangster who always comes up with a waterproof alibi. Mann is also looking after a clever street kid, to prevent him from becoming a juvenile delinquent. Standard poliziotesschi stuff, in other words, but there were also other things going on in "Napoli Spara!" that I couldn't follow properly, like a Maurizio Merli lookalike taxi driver assisting the police and mafia retributions on the parking lot of an illegal casino. I also spotted many familiar themes, like corruption (within the police force as well as in prison), bloody attacks on genitalia and the kicking of pregnant women in the stomach. Auch! But "Napoli Spara!" was also released in 1977, and from this year onwards the poliziotesschi began to lose its overwhelming force and impact. There are still many car chases and shootouts, but they are approximately 25% less raw and gritty. To compensate for this, the directors started throwing in comic reliefs, like in this film when Mann's little protégé-kid carjacks a sports car and goes on a joyride through the crowded streets of Naples. He can hardly even reach the pedals or look over the steering wheel, for crying out loud!
