CALIFICACIÓN DE IMDb
7.0/10
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TU CALIFICACIÓN
Una mujer corre el riesgo de perder su oportunidad de ser feliz con el único hombre al que ha amado.Una mujer corre el riesgo de perder su oportunidad de ser feliz con el único hombre al que ha amado.Una mujer corre el riesgo de perder su oportunidad de ser feliz con el único hombre al que ha amado.
- Nominada a2premios BAFTA
- 6 premios ganados y 29 nominaciones en total
Anthony LaPaglia
- Sim Rosedale
- (as Anthony Lapaglia)
Mary MacLeod
- Mrs. Haffen
- (as Mary Macleod)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaEdith Wharton named the source novel after a passage from Ecclesiastes 7:4, "The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth."
- ErroresThe film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" -- but that opera was first performed in New York in 1922.
- Créditos curiososThanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss.
- Bandas sonorasOboe Concerto in D Minor: Slow Movement
Composed by Alessandro Marcello
Performed by Ferenc Erkel Chamber Orchestra
Courtesy of Naxos Recordings
Opinión destacada
This is my favorite of all the Wharton novels adapted for the screen. The precision and depth with which the director and actors go is absolutely true to the novel in almost every respect.
Gillian Anderson is a revalation here, she perfectly captures the repression and pain of being a woman stuck in that time and place with no way out. You can feel her pain and torment in every quivering close up, and the passion contained in her kissing scenes (or to be more precise, her NON kissing- kissing scene) with Eric Stoltz is something to behold.
Eric Stoltz is equally amazing in one of the most complex and difficult roles for a man to play. I must disagree with the viewer from China, Mr. Seldon is NOT meant to be terribly "masculine" or "deep voiced" or "unbearably handsome"- those are modern readings that perhaps we expect from the role of the 'male hero' in modern films- but here Mr. Selden is written exactly as he is played- walking a fine line between what is correct behaviour for the time, and what he was or wasn't allowed to do in regards to her rescue. He is torn by love of Lilly Bart and the realization that he is not the right man for her, as the all important social scene would frown on their union. The actor portrays this ambiguity perfectly, and I for one found it a relief that the man didn't ride in and save the day in that cliched movie way.
I also must commend the supporting players of Anthony LaPaglia (whose role "Sim Rosedale" is originally written as a Jewish man, one of the few changes made to the n script adaption of the novel) and Laura Linney as Bertha Dorset, the 'bad girl' of the story. They both bring a life to the story that is rare to see in a period film, most actors seem to be too afraid or respectful of the material to really bring it to life.
I even enjoyed Dan Ackyroyd in a role that I didn't see him in or expect to like him in. I suppose my feelings about him are coloured by old Saturday Night Live shows, or Driving Miss Daisy, but I think he was terrific in a role that is not the most explored in the novel or the film.
Everything about this film held my interest and moved me, and I'm a very tough audience as far as Wharton goes. The pacing is indeed slow, but if you give yourself over to it it is like taking a warm bath in a quick shower world.
Very well done!
Gillian Anderson is a revalation here, she perfectly captures the repression and pain of being a woman stuck in that time and place with no way out. You can feel her pain and torment in every quivering close up, and the passion contained in her kissing scenes (or to be more precise, her NON kissing- kissing scene) with Eric Stoltz is something to behold.
Eric Stoltz is equally amazing in one of the most complex and difficult roles for a man to play. I must disagree with the viewer from China, Mr. Seldon is NOT meant to be terribly "masculine" or "deep voiced" or "unbearably handsome"- those are modern readings that perhaps we expect from the role of the 'male hero' in modern films- but here Mr. Selden is written exactly as he is played- walking a fine line between what is correct behaviour for the time, and what he was or wasn't allowed to do in regards to her rescue. He is torn by love of Lilly Bart and the realization that he is not the right man for her, as the all important social scene would frown on their union. The actor portrays this ambiguity perfectly, and I for one found it a relief that the man didn't ride in and save the day in that cliched movie way.
I also must commend the supporting players of Anthony LaPaglia (whose role "Sim Rosedale" is originally written as a Jewish man, one of the few changes made to the n script adaption of the novel) and Laura Linney as Bertha Dorset, the 'bad girl' of the story. They both bring a life to the story that is rare to see in a period film, most actors seem to be too afraid or respectful of the material to really bring it to life.
I even enjoyed Dan Ackyroyd in a role that I didn't see him in or expect to like him in. I suppose my feelings about him are coloured by old Saturday Night Live shows, or Driving Miss Daisy, but I think he was terrific in a role that is not the most explored in the novel or the film.
Everything about this film held my interest and moved me, and I'm a very tough audience as far as Wharton goes. The pacing is indeed slow, but if you give yourself over to it it is like taking a warm bath in a quick shower world.
Very well done!
- mikeeoo
- 8 oct 2002
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- How long is The House of Mirth?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The House of Mirth
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,043,284
- Fin de semana de estreno en EE. UU. y Canadá
- USD 48,770
- 25 dic 2000
- Total a nivel mundial
- USD 5,164,404
- Tiempo de ejecución2 horas 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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