Zion se defiende de la invasión de las máquinas mientras Neo lucha en otro frente de esta misma guerra.Zion se defiende de la invasión de las máquinas mientras Neo lucha en otro frente de esta misma guerra.Zion se defiende de la invasión de las máquinas mientras Neo lucha en otro frente de esta misma guerra.
- Premios
- 5 premios ganados y 36 nominaciones en total
Argumento
¿Sabías que…?
- TriviaThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- ErroresWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citas
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Créditos curiososThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versiones alternativasWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConexionesEdited into The Matrix: Path of Neo (2005)
- Bandas sonorasThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Opinión destacada
'The Matrix Revolutions' is the much-anticipated conclusion to the Wachowski Brothers' cultic sci-fi trilogy, whose previous entries were 'The Matrix' and 'The Matrix Reloaded.' In the series' final installment, the messiah figure, Neo, does battle with the diabolical forces that have imprisoned most of humanity in a world of cyber unreality via a massive computer program known as The Matrix.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
- Buddy-51
- 25 sep 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Matrix Revolutions
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 150,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 139,313,948
- Fin de semana de estreno en EE. UU. y Canadá
- USD 48,475,154
- 9 nov 2003
- Total a nivel mundial
- USD 427,344,325
- Tiempo de ejecución2 horas 9 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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