CALIFICACIÓN DE IMDb
6.8/10
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Agrega una trama en tu idiomaTwo young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they ... Leer todoTwo young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they must discover their strengths and learn self-acceptance.Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they must discover their strengths and learn self-acceptance.
- Premios
- 4 premios ganados y 1 nominación en total
Birkett Turton
- Clive Webb
- (as Kett Turton)
Argumento
¿Sabías que…?
- TriviaThe original theatrical release had a different song used throughout the opening credits. Cities In Dust by Siouxsie and the Banshees.
- ErroresIn her opening invocation, Empress Chi Chi Valenti (Vera Beren) welcomes those assembled for the "fifth annual 'Night of a Thousand Stevies'." However, with the film being set in 2001, it would have actually been the eleventh annual gathering. This is a rather curious error on Valenti's part considering that she serves as the real-life producer and MC of "Night of a Thousand Stevies" and has done so ever since the event was conceived in 1991.
- ConexionesReferenced in No es sólo otra película gay (2006)
- Bandas sonorasPieces
Written by Victoria Lloyd, Chris Ross and Benjamin Fargen
Performed by Claire Voyant
Courtesy of Metropolis Records
Opinión destacada
I have been looking forward to seeing this film for some time. I had read an interview with the director and couldn't help but be drawn to it. Before I begin, let me make the following statements:
1. I grew up in a small town in Indiana. 2. I have always enjoyed the music and culture of goth, but have never been a "part of the lifestyle" the way in which either Clive nor the mean NY goths were portrayed. I never immersed myself in it, never really wanted to. 3. I live in a major city now, one with an established goth underworld, one that I do take part in, from time to time. I still enjoy it to this day, though I am a bit long in the tooth for vinyl and leather.
Having made those disclaimers, I encourage anyone who takes a look at this in a video store but isn't sure that it is good, to pick it up, take it home, and get an excellent look at what it means to be young and outcast in a community that just doesn't understand you, nor cares to try. This film is a very strong and unforgiving look at the lives of two very realistic characters and their attempts to find somewhere they can be happy.
It is wonderfully acted by Sara Rue (whom I never saw as a dramatic actress or solid romantic lead until this film) with strong performances from John Doe and Kett Turton. Doe is an underrated actor and is perfectly used in this film. Turton's performance is either intentionally brilliant, or unconsciously precise. Clive IS acting when in his gear, an Turton brings forth an awkwardness in those scenes. When Clive's guard is down (the bathroom scene, and in the deleted scene "the accident") Turton is more comfortable in the role. I haven't seen the majority of his body of work, I will make a concerted effort now to do so.
There is a lot of commenting on Sara's appearance in this film. I must admit that I found her stunningly beautiful in this movie. I have always found her to be attractive and perhaps one reason is that she doesn't look like every other actress. But in this film it has more to do with Gypsy's attitude and style. I sincerely hope that we see Sara cast more as a main character and not just as a supporting role. She has the talent and skill to carry off most any role, and it is past time that members of the entertainment industry recognize that a woman with more than the optimum weight can still be quite appealing to the eye.
I don't know if the director, Mr Stepens, intends to continue making films, but I do hope he continues. I would like to see what other work might come from what I see to be a promising director. Likewise the other writer credited Mr Kaltenecker. This film works because of all the pieces, and writers never get the credit they deserve. Please bring us more, gentlemen. I will be looking for it, at least.
This type of film needs as much support as possible. It is not going to change the way LA or New York do business, but whoever said those are the only places for movies to come from.
1. I grew up in a small town in Indiana. 2. I have always enjoyed the music and culture of goth, but have never been a "part of the lifestyle" the way in which either Clive nor the mean NY goths were portrayed. I never immersed myself in it, never really wanted to. 3. I live in a major city now, one with an established goth underworld, one that I do take part in, from time to time. I still enjoy it to this day, though I am a bit long in the tooth for vinyl and leather.
Having made those disclaimers, I encourage anyone who takes a look at this in a video store but isn't sure that it is good, to pick it up, take it home, and get an excellent look at what it means to be young and outcast in a community that just doesn't understand you, nor cares to try. This film is a very strong and unforgiving look at the lives of two very realistic characters and their attempts to find somewhere they can be happy.
It is wonderfully acted by Sara Rue (whom I never saw as a dramatic actress or solid romantic lead until this film) with strong performances from John Doe and Kett Turton. Doe is an underrated actor and is perfectly used in this film. Turton's performance is either intentionally brilliant, or unconsciously precise. Clive IS acting when in his gear, an Turton brings forth an awkwardness in those scenes. When Clive's guard is down (the bathroom scene, and in the deleted scene "the accident") Turton is more comfortable in the role. I haven't seen the majority of his body of work, I will make a concerted effort now to do so.
There is a lot of commenting on Sara's appearance in this film. I must admit that I found her stunningly beautiful in this movie. I have always found her to be attractive and perhaps one reason is that she doesn't look like every other actress. But in this film it has more to do with Gypsy's attitude and style. I sincerely hope that we see Sara cast more as a main character and not just as a supporting role. She has the talent and skill to carry off most any role, and it is past time that members of the entertainment industry recognize that a woman with more than the optimum weight can still be quite appealing to the eye.
I don't know if the director, Mr Stepens, intends to continue making films, but I do hope he continues. I would like to see what other work might come from what I see to be a promising director. Likewise the other writer credited Mr Kaltenecker. This film works because of all the pieces, and writers never get the credit they deserve. Please bring us more, gentlemen. I will be looking for it, at least.
This type of film needs as much support as possible. It is not going to change the way LA or New York do business, but whoever said those are the only places for movies to come from.
- kaiju0
- 30 ene 2005
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- How long is Gypsy 83?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Джипси 83
- Locaciones de filmación
- Sandusky, Ohio, Estados Unidos(Cedar Point and its environs)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 29,367
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,054
- 18 abr 2004
- Total a nivel mundial
- USD 29,367
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