CALIFICACIÓN DE IMDb
7.0/10
11 k
TU CALIFICACIÓN
Un grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extrac... Leer todoUn grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extracurriculares.Un grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extracurriculares.
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAccording to an April 2003 NPR radio interview with Elvis Mitchell, Justin Lin's production company was on the verge of folding unless Lin could secure a certain amount of funding. Lin had essentially resigned himself to failure; but on a whim called a celebrity he had met once in Las Vegas. Lin got a call the day before the deadline from the celeb saying that he had read the script and wanted to provide some backing. Two hours later, the new investor had wired Lin the money and saved the production. The celebrity: M.C. Hammer.
- ErroresWhile Ben and Stephanie are studying, they're discussing biology and Ben flips through a textbook looking up an answer - but the diagrams in the book show that it's really a math book and not bio.
- Citas
Steve Choe: Are you happy?
Ben Manibag: I don't know.
Steve Choe: Fuck. That's the most truthful thing I've ever heard.
- Versiones alternativasIn the version shown at the 2002 Sundance Film Festival, Ben Manibag, played by Parry Shen, has taken part in the killing of a romantic rival, and towards the end he is heard saying, in effect, "Well, what I did wasn't right ...but I've got college to think about, and I've got a good life to look forward to, and I'm gonna move on."
- ConexionesFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- Bandas sonorasBlood on the Motorway
Written by Josh Paul Davis & Marc Z
Performed by DJ Shadow
Courtesy of Universal-MCA Music Publishing, a division of Universal Studios on behalf of Mo Wax Music,
Ltd. (ASCAP) and Universal-Island Records, Ltd.
Under license from Universal Music Enterprises
Contains a sample of "It's Easy" by Marc Z
Opinión destacada
Being Asian and a film study graduate doesn't validate what I"m gonna say, but I thought it would get somebody's attention.
What I did like about this film is that it reminded me a lot of what I did in Highschool, minus killing people and playing with guns. I got really good grades in school, and after a while me and my friends would goof around and cause a lot of trouble. Add in all the alcohol, parties, and drugs, you have an interesting side story for bored students. Most people wouldn't agree with what I said, but hey its my review.
Two, being Asian American and growing up in a middle class-uppermiddle class area, it was strange being one of the few asian americans around. people might look down on this film as "gimicky" because it gained attention because it was an all asian american cast. well here's something peole who are not asian american maybe should consider: when you're asian american, and you live in an area heavily populated by caucasions and feel like an obvious minority, you'll naturally start a clique of your own, that, low and behold, has other asian americans primarily in it. the group of friends in this film are asian american not just to start some gimmicky marketing scheme. this is what often happens in real life. certain subtleties like this can't be overtly explained, but will be appreciated by its asian american audience because it hits pretty solid. this is very much an asian american film, even though people don't like all the violence and blah blah blah.
now from a film perspective, i like the stylistic techniques lin used. he changes film speed a lot, which is a lost art in film. this film reminded me alot of Scorsese's "Mean Streets," plus with the obvious "Good Fellas" homage in the film w/ the continuous shot where the group walks into the party where the fight breaks out. i like how this film worked hard to challenge general film conventions. this film breaks down into five acts (not the standard hollywood three), has asian americans playing roles that are reserved not for them, and has a post modern ending. american audiences are used to having everything resolved at the end, with clearly defined moral positioning. i don't think people knew how to respond to the ending, and felt kind of empty. well guess what, osama bin laden was never caught, and some 30% of murders are never solved or have their killers brought to justice. i felt that the ending was appropriate
What I did like about this film is that it reminded me a lot of what I did in Highschool, minus killing people and playing with guns. I got really good grades in school, and after a while me and my friends would goof around and cause a lot of trouble. Add in all the alcohol, parties, and drugs, you have an interesting side story for bored students. Most people wouldn't agree with what I said, but hey its my review.
Two, being Asian American and growing up in a middle class-uppermiddle class area, it was strange being one of the few asian americans around. people might look down on this film as "gimicky" because it gained attention because it was an all asian american cast. well here's something peole who are not asian american maybe should consider: when you're asian american, and you live in an area heavily populated by caucasions and feel like an obvious minority, you'll naturally start a clique of your own, that, low and behold, has other asian americans primarily in it. the group of friends in this film are asian american not just to start some gimmicky marketing scheme. this is what often happens in real life. certain subtleties like this can't be overtly explained, but will be appreciated by its asian american audience because it hits pretty solid. this is very much an asian american film, even though people don't like all the violence and blah blah blah.
now from a film perspective, i like the stylistic techniques lin used. he changes film speed a lot, which is a lost art in film. this film reminded me alot of Scorsese's "Mean Streets," plus with the obvious "Good Fellas" homage in the film w/ the continuous shot where the group walks into the party where the fight breaks out. i like how this film worked hard to challenge general film conventions. this film breaks down into five acts (not the standard hollywood three), has asian americans playing roles that are reserved not for them, and has a post modern ending. american audiences are used to having everything resolved at the end, with clearly defined moral positioning. i don't think people knew how to respond to the ending, and felt kind of empty. well guess what, osama bin laden was never caught, and some 30% of murders are never solved or have their killers brought to justice. i felt that the ending was appropriate
- madplo50
- 13 ene 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 火爆麻吉
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 250,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,802,390
- Fin de semana de estreno en EE. UU. y Canadá
- USD 360,772
- 13 abr 2003
- Total a nivel mundial
- USD 3,809,226
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Better Luck Tomorrow (2002) officially released in India in English?
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