CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.
- Premios
- 1 nominación en total
Lori Johnston
- Self
- (as Dr. Lori Johnston)
John Broadwater
- Self
- (as Dr. John Broadwater)
Charles Pellegrino
- Self
- (as Dr. Charles Pellegrino)
Anatoly M. Sagalevitch
- Self
- (as Dr. Anatoly Sagalevitch)
Argumento
¿Sabías que…?
- TriviaThe two robotic submarines in this film are named Jake and Elwood, a reference to Los hermanos caradura (1980).
- ErroresThe fourth funnel is shown falling backwards when the ship breaks in two in the sinking simulation. It would do no such thing. It would fall forward like the other funnels. This is also seen in the "final plunge" montage with the photographs of the passengers who perished in the disaster superimposed in front of the footage of the ship sinking from the movie Titanic (1997).
- Citas
Bill Paxton: The crucial thing about deep-sea photography is lighting.
- Versiones alternativasThe theatrical version was shortened down to 43 minutes running time so that it will fit into the standard screening schedule of the local IMAX theaters, i.e. an IMAX film must not run longer than 45 minutes so that it is possible to start a screening every hour.
- ConexionesEdited into Titanic al detalle (2013)
Opinión destacada
Nicely done, but no shock and awe here. I can't give it more than a 7 out of 10 for Paxton's progressively more melodramatic narration and Cameron's too-heavy reliance on the computer gimmickry, but neither hurt it so much as to take away the effect of seeing Titanic up close and personal. My only other complaint was that Cameron somehow managed not to take full advantage of the IMAX-sized screen. I kept waiting for some soaring shots of the various sides and parts of the boat, but it seemed like he always had the camera right up against them where you couldn't get a full measure. I kept thinking, "Dammit, man, back up." And the CG overlays really did start to irritate me a bit. I wanted to see the boat, but often as soon as the CG effects wisped away, it cut to something else. Overall I guess I thought it a little too cluttered technically and not enough lingering over the human touches.
As for the 3D, I thought it did increase the impact some, more than being a mere novelty, but I agree with Roger Ebert that Ghosts would have been a perfect showcase for Maxivision 48. Someday maybe true film fans will unite....
As for the 3D, I thought it did increase the impact some, more than being a mere novelty, but I agree with Roger Ebert that Ghosts would have been a perfect showcase for Maxivision 48. Someday maybe true film fans will unite....
- TexVanWinkle
- 3 may 2003
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Ghosts of the Abyss
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,040,871
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,408,474
- 13 abr 2003
- Total a nivel mundial
- USD 27,570,076
- Tiempo de ejecución1 hora 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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