En Ciudad de México, ex asesino busca venganza contra los que hicieron daño a la familia a la que había jurado proteger.En Ciudad de México, ex asesino busca venganza contra los que hicieron daño a la familia a la que había jurado proteger.En Ciudad de México, ex asesino busca venganza contra los que hicieron daño a la familia a la que había jurado proteger.
- Premios
- 1 premio ganado y 7 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaMost of the scenes between Denzel Washington and Christopher Walken were completely improvised.
- ErroresCaptioning mistranslation. Fuentes tells Samuel that he has been authorized to participate "ex officio", and the caption translates this as "unofficially". However, "ex officio" means "by virtue of the office", in this case Fuentes' position in the Anti-Kidnapping Division.
- Créditos curiososSpecial thanks to Mexico City. A very special place.
- Versiones alternativasEuropean (PAL) version of the DVD lack the stylized subtitles found through the movie, except for a few in the beginning. Those subtitles are found in the form of regular DVD subtitles.
- ConexionesFeatured in HBO First Look: The Making of 'Man on Fire' (2004)
- Bandas sonorasThe Mark Has Been Made
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
Opinión destacada
Tony Scott can make good films and bad, personally I think he can be a bit flashy and trashy and his work obviously suffers in comparison with that of his rather famous brother, but this is quite possibly his best film.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.
What makes this film so great is that Scott gives Denzel (on scorching form, better than Training Day) and the revelation who is Dakota Fanning time to develop a relationship of real warmth and tenderness. The set up is absolutely NOT boring, although it takes time - it is involving, and takes us on a little journey into the characters - including a superb role for Radha Mitchell as the mother. This all serves to make the action so much more effective, as we are so invested in the characters, for all their all too obvious weaknesses. This film has you on the edge for its entirety, and doesn't cop out at the end either.
The film would of course be nothing without Washington. I often wonder why he seems to get so many duff roles, when he quite clearly is as good as almost any leading man out there (I can only really think of one, Daniel Day Lewis, who has more on-screen power these days). This film should have been huge, given his status and the strength of his performance, and the quality of the film. It just goes to show you that if a studio doesn't back a film to the hilt, it ends up going straight to video. I wish I'd got the chance to see this on the big screen.
- bt-wells99-1
- 3 feb 2010
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Man on Fire
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 77,911,774
- Fin de semana de estreno en EE. UU. y Canadá
- USD 22,751,490
- 25 abr 2004
- Total a nivel mundial
- USD 130,834,852
- Tiempo de ejecución2 horas 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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