Agrega una trama en tu idiomaOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain.... Leer todoOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain. They arrive in Spain only to find that their uncle has died. Marie meets Diego, a rich su... Leer todoOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain. They arrive in Spain only to find that their uncle has died. Marie meets Diego, a rich surgeon, and falls in love with him. Diego lives with his domineering sister Teresa. Marie m... Leer todo
- Premios
- 1 premio ganado y 3 nominaciones en total
Fotos
- Mother
- (as Maria Teresa Berganza)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaDirector Alex van Warmerdam hated the original cut of the film that was edited by Stefan Kamp, and has since excluded it from every retrospective and DVD box-set of his collected works. As an experiment, he started to re-edit a few scenes on video with Job ter Burg, his regular editor since De laatste dagen van Emma Blank (2009). The result was so satisfying that they secured time and budget to re-edit the entire movie over a period of four years. The new version was released at the 2019 Dutch Film Festival, and received a new theatrical run. Van Warmerdam has been quoted as saying that viewers should throw the old cut of the film in the trashcan.
- Versiones alternativas2019 Re-Edit
- ConexionesReferenced in Het glazen huis: Zelfbeheersing (2004)
Warmerdam has quite the ability to build a very surreal world, place unknowing (and sometimes unwilling) characters into the mix, and give us bleak references to pop-children's culture. He shows us this with Grimm. For those of you die hard fairy tale fanatics, you may not like this story. It is not one that the average film viewer will enjoy. Grimm takes some time getting used to. It takes some time developing the characters, and it takes quite a bit of time giving us its story. It is never rushed (though sometimes we wish it were quicker), and eventually completes with a message of family, strength, and sibling love. Warmerdam does a great job of giving us two great navigators through his story with Jacob and Maria. Two completely different characters by nature, but both still have one passion in their eyes, to keep their friendship and family dynamic together. These two are the quintessential "Hansel & Gretel" as they voyage through the world of Spain to discover, not only themselves, but also how cruel the real world can be. While their interweaving stories could/should have been developed deeper with stronger bonds between them and the other characters in this film, Warmerdam has done a superb job of giving us their sole stories and emotions. If you solely watch just Jacob and Maria throughout this film, you will see such a strong human element and the sporadic events that occur to them as they continue their perilous journey. I applaud Warmerdam for his work on these two characters because they lead us through the story. We feel for them, we grow with them, we rally behind them near the end, so in essence, we enjoy these characters. Alas, his lacking story structure is the only hurdle that is tough to cross.
Warmerdam interweaves so many different fairy tale-esquire moments throughout the story that you begin to loose focus of the central themes. It reminded me of a third-grade story in which the young child forgot to do his homework and begins his report on "Hansel & Gretel" and inadvertently brings in moments from "Peter Pan", "Little Red Riding Hood", and "Jack & the Beanstalk" unknowingly. As the class laughs, you cannot help but think of how interesting a story like that would be. I think Warmerdam did his homework, brought several different childish stories together, but somehow never quite completed them. He would throw in segments of several different childhood genres that we, the audience, never had the opportunity to enjoy the one we were on. This is where Warmerdam lost me. I wanted to enjoy the different stories. I wanted to see how our not-so-young heroines would react to the different situations, but we never had that opportunity. He would begin a story, but never finish or at least create a strong enough segway to the next moment. Warmerdam had a great concept with this film, but never was able to pull his ideas together. Coupled with a horrible choice of music selection, Warmerdam never quite built the darkness surrounding Grimm. That is what ultimately hurt this picture.
Overall, Warmerdam did a decent job with overall final product of this film. Grimm is not a film for everyone, but for those that enjoy moments of David Lynch coupled with themes of childhood fairy tales. It is a dark story that never quite makes you laugh but instead attempts to use shocking cinematography to bring you this surreal world that we never quite believe exists. Warmerdam has created this mythological world that could be right in your backyard, but spooky enough to believe it came from your imagination. His characters were strong, but his story lacked decent connection. I found myself, like Jacob and Maria, lost during several of the scenes only to reconnect later during the film. I guess I just needed more breadcrumbs to guide me back
Grade: **** out of *****
- film-critic
- 10 dic 2005
- Enlace permanente
Selecciones populares
- How long is Grimm?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 3,700,000 (estimado)
- Total a nivel mundial
- USD 240,632
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1