CALIFICACIÓN DE IMDb
7.8/10
5.4 k
TU CALIFICACIÓN
Un grupo de refugiados griegos de Odessa llega a algún lugar cerca de Tesalónica. Entre ellos hay dos niños: Alexis y Eleni.Un grupo de refugiados griegos de Odessa llega a algún lugar cerca de Tesalónica. Entre ellos hay dos niños: Alexis y Eleni.Un grupo de refugiados griegos de Odessa llega a algún lugar cerca de Tesalónica. Entre ellos hay dos niños: Alexis y Eleni.
- Premios
- 2 premios ganados y 6 nominaciones en total
Argumento
¿Sabías que…?
- TriviaOne of the key influences in the film being made was the death of Theodoros Angelopoulos's mother in 1998. Her life had spanned virtually the entire century so he wanted to make a film that did the same.
- ConexionesFollowed by Trilogía II: El polvo del tiempo (2008)
Opinión destacada
Most of the story's most significant events are entirely unseen; Angelopoulos seems to be less interested in events than in their aftermath. What we see is not conflict, not love, and not loss, but rather the effects of these things on the people in the story. It's almost like watching only the scenes that would be cut out of a Hollywood epic; all the "fat" that would normally be trimmed to create a lean story is on display here without any of what would be considered the "meat." The result is something less thrilling but altogether more resonant. Things take a long time to occur not just within scenes but within the viewer's mind as well. I didn't start to really feel for any of these people until about an hour into the film, but at that point I suddenly found myself completely hooked.
I was particularly amazed by my reaction to Eleni, played by Alexandra Aidini. For much of the movie she is given little to do but cry and her performance is seemingly rather weak. But by the end of the film I felt deeply connected with her plight and I felt tied to every emotional upheaval she encountered. Her performance likewise became extremely powerful, and unless Angelopoulos shot this film in sequence I have to assume it was engineered that way somehow. Perhaps it's simply that Angelopoulos spends so much time distancing the audience from the drama that when he finally goes in for a close-up (figuratively -- in literal terms there's nothing tighter than a medium shot here) the emotion just smacks you in the face.
Beyond the characters, the film is amazing simply for its visual audacity, the way every long shot is planned to the minutest detail a la Bela Tarr, and they only become more staggering as time wears on. The story also feels ancient; despite taking place (mostly) in the 1940's, you sense a profound connection to the heritage of its characters and their history, such that moments which in other cases might seem like melodramatic clichés (the unraveling of Eleni's scarf, for instance) instead feel like deeply rooted folk symbolism.
I was particularly amazed by my reaction to Eleni, played by Alexandra Aidini. For much of the movie she is given little to do but cry and her performance is seemingly rather weak. But by the end of the film I felt deeply connected with her plight and I felt tied to every emotional upheaval she encountered. Her performance likewise became extremely powerful, and unless Angelopoulos shot this film in sequence I have to assume it was engineered that way somehow. Perhaps it's simply that Angelopoulos spends so much time distancing the audience from the drama that when he finally goes in for a close-up (figuratively -- in literal terms there's nothing tighter than a medium shot here) the emotion just smacks you in the face.
Beyond the characters, the film is amazing simply for its visual audacity, the way every long shot is planned to the minutest detail a la Bela Tarr, and they only become more staggering as time wears on. The story also feels ancient; despite taking place (mostly) in the 1940's, you sense a profound connection to the heritage of its characters and their history, such that moments which in other cases might seem like melodramatic clichés (the unraveling of Eleni's scarf, for instance) instead feel like deeply rooted folk symbolism.
- CaptEcco
- 23 ago 2006
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Trilogy: The Weeping Meadow?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Trilogía I: El prado en llanto
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 24,966
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,015
- 18 sep 2005
- Total a nivel mundial
- USD 64,424
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Spanish language plot outline for El prado en llanto (2004)?
Responda