CALIFICACIÓN DE IMDb
8.0/10
89 k
TU CALIFICACIÓN
Un monje budista cría a un niño en un templo flotante en el que los años pasan igual de rápido que las estaciones.Un monje budista cría a un niño en un templo flotante en el que los años pasan igual de rápido que las estaciones.Un monje budista cría a un niño en un templo flotante en el que los años pasan igual de rápido que las estaciones.
- Dirección
- Guionista
- Elenco
- Premios
- 15 premios ganados y 9 nominaciones en total
Oh Yeong-su
- Old Monk
- (as Young-soo Oh)
Seo Jae-kyeong
- Boy Monk
- (as Jae-kyeong Seo)
Ji Dae-han
- Detective Ji
- (as Dae-han Ji)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe inscription on the floor is "The Heart Sutra", one of the most important Sutra of Mahayana Buddhism, written in literary Chinese.
- ErroresWhen the young monk finishes inscribing the Heart Sutra on the floor and falls down exhausted, the inscriptions below him change between shots (even though he is lying motionless). In one shot, the inscriptions he is lying on have been painted; and as he wakes up, the paint is gone.
- Versiones alternativasThe local Korean version of this film is approximately 90 seconds longer than the International release; a sequence was removed near the end of the film (at about the 100-minute point). This is reflected in the DVD releases, as the Tartan R2 (UK) release and the Columbia/Tristar R1 (USA) release use the International cut of the film, while the Bitwin R3 (Korean) DVD uses the original cut.
- ConexionesFeatured in Arirang (2011)
- Bandas sonorasJeongseon Arirang
Traditional
Performed by Kim Young Im
Opinión destacada
Perfect Simplicity
My review of this film should end with those two words. However, the 10 line minimum requirement that IMDb requires of all reviews belies the differences between my world and the world shown to me in Spring, Summer, Fall, Winter and Spring. I understand why IMDb does not want 1000's of (apparently) useless two-word reviews in their database. However, I would hope that they could make an exception for this film.
Perfect: The film is as close to perfect as a film could get. No shot is presented to us, nor a line of dialog uttered that does not make us ponder and understand at the same time. The film is also beautiful. (Like the previous reviewer, I am a fan of Asian cinema and never tire of the stunning ability of Asian directors to capture beauty on film.) This film exceeds most other Asian films I have seen in the cinematography regard. However, its beauty is surprisingly deceptive. Like most great films, it surpasses the 'cinematography' level of beauty and delves into the beauty of existence through its story. For example, the Old Monk has a different pet during each 'season' of his life. This is not discussed by the characters nor shoved in our face by the director as would have been done if Hollywood had done this film. It is merely background we experience and come to understand. Two days after viewing the film, I am still finding new reflections in my mind that encompass the cinematography, the literal story and the underlying context of the film.
Simplicity: This film approaches a level of cinematic Haiku. While I don't recall the entire dialog with any specificity, I am sure you could print the script on one page of paper. The amazing part is that while you are watching the film, you don't notice this. Every shot moves the story along. The simplicity of life as shown by the story is reflected in the simplicity of the film. After the film ended, I had a strong urge to move away from civilization and live or die in peace with nature. I enjoy (and have come to be too dependent upon) modern inventions, so I will stay at home. However, this film will remain in my heart. It does exactly what good story-telling is supposed to do: Take us completely out of our world and put us in another. There is no wonder that this film was selected for so many film festivals.
My review of this film should end with those two words. However, the 10 line minimum requirement that IMDb requires of all reviews belies the differences between my world and the world shown to me in Spring, Summer, Fall, Winter and Spring. I understand why IMDb does not want 1000's of (apparently) useless two-word reviews in their database. However, I would hope that they could make an exception for this film.
Perfect: The film is as close to perfect as a film could get. No shot is presented to us, nor a line of dialog uttered that does not make us ponder and understand at the same time. The film is also beautiful. (Like the previous reviewer, I am a fan of Asian cinema and never tire of the stunning ability of Asian directors to capture beauty on film.) This film exceeds most other Asian films I have seen in the cinematography regard. However, its beauty is surprisingly deceptive. Like most great films, it surpasses the 'cinematography' level of beauty and delves into the beauty of existence through its story. For example, the Old Monk has a different pet during each 'season' of his life. This is not discussed by the characters nor shoved in our face by the director as would have been done if Hollywood had done this film. It is merely background we experience and come to understand. Two days after viewing the film, I am still finding new reflections in my mind that encompass the cinematography, the literal story and the underlying context of the film.
Simplicity: This film approaches a level of cinematic Haiku. While I don't recall the entire dialog with any specificity, I am sure you could print the script on one page of paper. The amazing part is that while you are watching the film, you don't notice this. Every shot moves the story along. The simplicity of life as shown by the story is reflected in the simplicity of the film. After the film ended, I had a strong urge to move away from civilization and live or die in peace with nature. I enjoy (and have come to be too dependent upon) modern inventions, so I will stay at home. However, this film will remain in my heart. It does exactly what good story-telling is supposed to do: Take us completely out of our world and put us in another. There is no wonder that this film was selected for so many film festivals.
- grahamers
- 16 nov 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Spring, Summer, Fall, Winter... and Spring
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,380,788
- Fin de semana de estreno en EE. UU. y Canadá
- USD 42,561
- 4 abr 2004
- Total a nivel mundial
- USD 8,842,902
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Las estaciones de la vida (2003) officially released in Canada in French?
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