En la Venecia del siglo XVI, cuando un comerciante no puede devolver un gran préstamo de un judío a un amigo con ambiciones románticas, el acreedor, amargamente vengativo, exige un pago horr... Leer todoEn la Venecia del siglo XVI, cuando un comerciante no puede devolver un gran préstamo de un judío a un amigo con ambiciones románticas, el acreedor, amargamente vengativo, exige un pago horrible en su lugar.En la Venecia del siglo XVI, cuando un comerciante no puede devolver un gran préstamo de un judío a un amigo con ambiciones románticas, el acreedor, amargamente vengativo, exige un pago horrible en su lugar.
- Nominada a1 premio BAFTA
- 2 premios ganados y 7 nominaciones en total
- Aragon
- (as Antonio Gil-Martinez)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe bare-breasted prostitutes were not put in the film to make it more risqué, but rather to add a note of historical authenticity. Venetian law at the time required all prostitutes to bare their breasts because the Christian authorities were concerned about rampant homosexuality in their city.
- ErroresIn Venice in 1598 a woman with no head-dress and her hair flowing loose would be taken for a whore, yet this is how Portia frequently appears.
- Citas
Shylock: I am a Jew! Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be - by Christian example? Why, revenge. The villany you teach me, I will execute, and it shall go hard - but I will better the instruction.
- Créditos curiososPROLOGUE: "Intolerance of the Jews was a fact of 16th century life even in Venice, the most powerful and liberal city state in Europe."
"By law the Jews were forced to live in the old walled foundry or 'Geto' area of the city. After sundown the gate was locked and guarded by Christians."
"In the daytime any man leaving the ghetto had to wear a red hat to mark him as a Jew."
"The Jews were forbidden to own property. Thus, they practiced usury, the practice of lending money at interest. This was against Christian law."
"The sophisticated Venetians would turn a blind eye to it but for the religious fanatics, who hated the Jews, it was another matter . . . "
- ConexionesFeatured in 'Merchant of Venice': Shakespeare Through the Lens (2005)
- Bandas sonorasWith Wand'ring Steps
Composed by Jocelyn Pook, Lyrics by John Milton
Arranged by Jocelyn Pook
Performed by Baroque Strings Quartet Ensemble, featuring solo vocals by Andreas Scholl
Harp: Siobhan Armstrong
Psaltery: Harvey Brough
Lute: Elizabeth Kenny
Published by Shylock Ltd / EMI Music Publishing Ltd
© 2004 Decca Music Group Limited
(p) Jocelyn Pook Ltd. /2004 Decca Music Group Limited
This very enjoyable film is a balance of both, tragedy and comedy. As is both delightful, disturbing and dramatically marvellous. Al Pacino delivers a wonderfully complex and dark performance. His portrayal is pretty watchable and absolutely memorable, he's a Shakespeare expert , like he proved in ¨Looking for King Richard III¨ which he starred and and directed. I found particularly nice the way the film handled the court rivalry , the antagonism between them and final result. The movie packs an evocative musical score by Jocelyn Pock(Eye wide shut) and colorful cinematography by Benoit Delhomme, director's usual cameraman. The motion picture is well directed by Michael Radford. Another adaptation about this known book are mostly made for TV, these are the following : 1973 with Laurence Olivier, Joan Plowright and Jeremy Brett ; 1980 by Jack Gold with Warren Mitchell and John Rhys Davies ; 2001 by Trevor Nunn with Henry Goodman. And by Orson Welles with Oja Kodar but was scrapped and pretended to release with other of his unfinished movies, though never completed when the negatives were mysteriously lost. I would recommend this picture to anybody interested by Shakespeare.
- ma-cortes
- 27 feb 2008
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Merchant of Venice
- Locaciones de filmación
- Esch-sur-Alzette, Luxembourg(only Venice film set)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,765,585
- Fin de semana de estreno en EE. UU. y Canadá
- USD 69,868
- 2 ene 2005
- Total a nivel mundial
- USD 21,560,182
- Tiempo de ejecución2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1