CALIFICACIÓN DE IMDb
7.8/10
50 k
TU CALIFICACIÓN
En Noche Buena, tres personas sin hogar en las calles de Tokyo encuentran a un recién nacido entre la basura e intentan encontrar a sus padres.En Noche Buena, tres personas sin hogar en las calles de Tokyo encuentran a un recién nacido entre la basura e intentan encontrar a sus padres.En Noche Buena, tres personas sin hogar en las calles de Tokyo encuentran a un recién nacido entre la basura e intentan encontrar a sus padres.
- Premios
- 8 premios ganados y 1 nominación en total
Tôru Emori
- Gin
- (voz)
Yoshiaki Umegaki
- Hana
- (voz)
Aya Okamoto
- Miyuki
- (voz)
Shôzô Îzuka
- Ôta
- (voz)
Seizô Katô
- Kâ-san
- (voz)
Hiroya Ishimaru
- Yasuo
- (voz)
Ryûji Saikachi
- Rô-jin
- (voz)
Kyôko Terase
- Sachiko
- (voz)
Akio Ôtsuka
- Isha
- (voz)
Rikiya Koyama
- Shinrô
- (voz)
Argumento
¿Sabías que…?
- TriviaThe number "12-25" (the date of Christmas) appears throughout the film: the number on the key ring, the cab fare (12,250 yen), a stopped alarm clock, the address in the newspaper ad, the cab license plate.
- Créditos curiososThe opening credits appear on billboards, store signs, truck lettering, etc.
- Versiones alternativasThere was another English dub of the film aired on Animax in Southeast Asia, in which generic baby sounds were used for Kiyoko.
- ConexionesFeatured in Troldspejlet: Episode #31.16 (2004)
- Bandas sonorasClimb Ev'ry Mountain
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
©1959 Williamson Music Co.
Licensed by EMI Music Publishing Japan Ltd.
Opinión destacada
Satoshi Kon's animation films are increasingly impressive with each new release. This movie is not only a technical masterpiece of the Japanese animation style, but can also rival a good independent live-action film in its storytelling. The film's plot also doubles as a social commentary about life on the fringe in Tokyo (not only the homeless but also cultural minority and the mentally disabled), from both the inside and the outside looking in. As a Westerner, I was astonished at how the homeless characters adapted to Japanese traditional practices for their survival.
The story of "Tokyo Godfathers" is much more compelling and heartwarming than Kon's previous films, "Perfect Blue" and "Milennium Actress", but the signature semi-realistic drawing style from his other films is still prominent. The discrepancies in movement between each character in the action sequences is particularly phenomenal. The backgrounds are intricate and perfectly painted. Note the art direction of the background buildings in some scenes to add even more connotation to the plot - sometimes they are more than what they seem!
Kon is the next Miyazaki, and I predict that he will continue to bring Japanese animation films to the international foreground years to come.
The story of "Tokyo Godfathers" is much more compelling and heartwarming than Kon's previous films, "Perfect Blue" and "Milennium Actress", but the signature semi-realistic drawing style from his other films is still prominent. The discrepancies in movement between each character in the action sequences is particularly phenomenal. The backgrounds are intricate and perfectly painted. Note the art direction of the background buildings in some scenes to add even more connotation to the plot - sometimes they are more than what they seem!
Kon is the next Miyazaki, and I predict that he will continue to bring Japanese animation films to the international foreground years to come.
- alitak
- 16 may 2004
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 367,131
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,259
- 18 ene 2004
- Total a nivel mundial
- USD 605,610
- Tiempo de ejecución1 hora 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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