Tras otro fiasco en Broadway, el desafortunado productor Max Bialystock se une al tímido contable Leo Bloom en una treta para hacerse ricos rápidamente montando el peor espectáculo del mundo... Leer todoTras otro fiasco en Broadway, el desafortunado productor Max Bialystock se une al tímido contable Leo Bloom en una treta para hacerse ricos rápidamente montando el peor espectáculo del mundo.Tras otro fiasco en Broadway, el desafortunado productor Max Bialystock se une al tímido contable Leo Bloom en una treta para hacerse ricos rápidamente montando el peor espectáculo del mundo.
- Premios
- 1 premio ganado y 17 nominaciones en total
Argumento
¿Sabías que…?
- TriviaAfter Max (Nathan Lane) and Leo (Matthew Broderick) do Der Guten Tag Hop Clop with Franz (Will Ferrell), Max tries to pull open the door. When it doesn't open, he shouts, "We're trapped!" This is an inside joke from the play's run in England. One night, a stage hand had locked the door. When Nathan Lane tried it, he realized it was locked and shouted out, "We're trapped! Trapped like rats with a crazy Nazi!" A stage hand then went up and unlocked the door and they got out.
- ErroresThe older male dancer who says "Don't be stupid, be a schmarty..." is speaking with Mel Brooks' voice on his first appearance. The next time he is heard delivering a line, he has a completely different, deep voice. However, this is deliberate: the character also lip syncs to Mel Brooks' recorded voice in the stage production.
- Citas
Leo Bloom: Let's assume for a moment, that you are a dishonest man.
Max Bialystock: Assume away.
- Créditos curiososFor the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com"
- ConexionesFeatured in HBO First Look: The Producers (2005)
- Bandas sonorasThere's Nothing Like a Show on Broadway
Music and Lyrics by Mel Brooks
Performed by Nathan Lane and Matthew Broderick
Opinión destacada
I am a huge fan of the original movie and had the pleasure of seeing the wonderful Broadway show in 2003, so I was more than expecting to love this remake. Unfortunately it didn't live-up to my expectations on a number of fronts.
Most fundamentally, it seemed more of a cinematic rendering of the stage show than a remake of the movie - the problem is that it utterly lacks the charm of the 1968 film, and fails to capture the excitement and energy of the show. This is not to do with the actors, who all put in great performances and do the best job possible with their roles. Though, I wonder if it was a good idea to keep the leads from Broadway - playing a part on stage is very different from doing the same thing in a movie. This is at the heart of what is wrong with this movie - it is trying to be cinematic and theatrical at the same time.
Also, they have cut some of the funniest scenes and changed some of the best lines from the original. Why, I wonder? For example, the first encounter between Max and Leo in the original movie is hilarious and dramatic - a magnificent opening set-piece, with drama, humour and conflict. In this version, Leo just knocks on the door and introduces himself. Bit of a damp squib, really.
Overall, I am not sure what to make of this movie. I would probably have enjoyed it more if I had not seen the original. But not much.
Most fundamentally, it seemed more of a cinematic rendering of the stage show than a remake of the movie - the problem is that it utterly lacks the charm of the 1968 film, and fails to capture the excitement and energy of the show. This is not to do with the actors, who all put in great performances and do the best job possible with their roles. Though, I wonder if it was a good idea to keep the leads from Broadway - playing a part on stage is very different from doing the same thing in a movie. This is at the heart of what is wrong with this movie - it is trying to be cinematic and theatrical at the same time.
Also, they have cut some of the funniest scenes and changed some of the best lines from the original. Why, I wonder? For example, the first encounter between Max and Leo in the original movie is hilarious and dramatic - a magnificent opening set-piece, with drama, humour and conflict. In this version, Leo just knocks on the door and introduces himself. Bit of a damp squib, really.
Overall, I am not sure what to make of this movie. I would probably have enjoyed it more if I had not seen the original. But not much.
- misterphilco
- 13 oct 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Producers
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,398,532
- Fin de semana de estreno en EE. UU. y Canadá
- USD 154,590
- 18 dic 2005
- Total a nivel mundial
- USD 38,075,318
- Tiempo de ejecución2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was Los productores (2005) officially released in India in English?
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