En los vecindarios de París, el amor se esconde, se revela, se imita, se agota, se reinventa y se despierta.En los vecindarios de París, el amor se esconde, se revela, se imita, se agota, se reinventa y se despierta.En los vecindarios de París, el amor se esconde, se revela, se imita, se agota, se reinventa y se despierta.
- Premios
- 3 premios ganados y 2 nominaciones en total
Melchior Derouet
- Thomas (segment "Faubourg Saint-Denis")
- (as Melchior Beslon)
Argumento
¿Sabías que…?
- TriviaSince the Coen Brothers knew they only had two days to shoot their sequence and were working on a very tight schedule, they elected to mount it in a metro station just in case it might rain.
- ErroresIn the last segment, where the grave of Jean Paul Sartre and Simone de Beauvoir is shown, the audio and subtitles both say Simon Bolivar. This is not a goof; rather, it is showing that Carol (Margo Martindale's character) is not completely confident in French and/or history.
- Citas
Francine: Thomas, listen. Listen. There are times when life calls out for a change. A transition. Like the seasons. Our spring was wonderful, but summer is over now and we missed out on autumn. And now all of a sudden, it's cold, so cold that everything is freezing over. Our love fell asleep, and the snow took it by surprise. But if you fall asleep in the snow, you don't feel death coming. Take care.
- Bandas sonorasRun to the Mosque
Written by Craig Pruess
(P) 2006 Victoires International
(C) 2006 Emma Productions
Segment "Quais de Seine"
Opinión destacada
Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.
This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.
The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.
The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.
From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.
This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.
The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.
The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.
From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.
- kabenson08
- 23 jun 2006
- Enlace permanente
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- How long is Paris, Je T'aime?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Paris, I Love You
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,899,278
- Fin de semana de estreno en EE. UU. y Canadá
- USD 39,242
- 6 may 2007
- Total a nivel mundial
- USD 17,489,601
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was París, te amo (2006) officially released in India in English?
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