CALIFICACIÓN DE IMDb
6.2/10
4.7 k
TU CALIFICACIÓN
Un periódico predice la muerte de los familiares y amigos de un hombre.Un periódico predice la muerte de los familiares y amigos de un hombre.Un periódico predice la muerte de los familiares y amigos de un hombre.
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
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- TriviaThe film was released as a double feature with [nm=0643696]'s [tt=0418778] as part of Takashige Ichise's J-Horror Theater.
- ConexionesFollowed by Reincarnation (2005)
- Bandas sonorasUtakata
Music by Jin Nakamura
Lyrics by Juri Shôno
Performed by Juri Shôno
Courtesy of Victor Entertainment
Opinión destacada
An effective combination of 'change the future'-style sci-fi thriller and traditional Japanese horror. PREMONITION tells the story of an ordinary man caught up in some extraordinary events
and the dark avenues to which he is eventually led as a result of this.
Things kick off with a shocking set-piece in which a young girl is killed in one of those accidents that are filmed so well in Asian cinema. Years later and the father blames himself for not saving her, as he was warned by a newspaper article in the moments before her death. Soon he becomes convinced that he can go back in time to save her, and becomes involved with various psychics who claim to be able to see the future.
What follows is both familiar and unpredictable at the same time. Director Norio Tsuruta, hot off making RING 0, shoots this as a horror rather than science fiction film, so incorporates various scare sequences that end up being very effective. There's little to no gore here, just a creeping psychological approach that pays dividends as the story progresses. I defy anyone not to jump in their seat at the 'faceless ghost' scene.
The pacing is rather slow – when isn't it in a J-horror? – but it gradually picks up as the film builds momentum, culminating in a blistering climax involving our protagonist hopping through realities at a dizzying pace. It reminded me of the hilarious extended fight climax of Wes Craven's SHOCKER, although of course it's treated seriously here. Hiroshi Mikami is excellent as the haunted protagonist – think of the calibre of Hiroyuki Sanada in Ring and you'll be close – and the film as a whole never pulls its punches.
Things kick off with a shocking set-piece in which a young girl is killed in one of those accidents that are filmed so well in Asian cinema. Years later and the father blames himself for not saving her, as he was warned by a newspaper article in the moments before her death. Soon he becomes convinced that he can go back in time to save her, and becomes involved with various psychics who claim to be able to see the future.
What follows is both familiar and unpredictable at the same time. Director Norio Tsuruta, hot off making RING 0, shoots this as a horror rather than science fiction film, so incorporates various scare sequences that end up being very effective. There's little to no gore here, just a creeping psychological approach that pays dividends as the story progresses. I defy anyone not to jump in their seat at the 'faceless ghost' scene.
The pacing is rather slow – when isn't it in a J-horror? – but it gradually picks up as the film builds momentum, culminating in a blistering climax involving our protagonist hopping through realities at a dizzying pace. It reminded me of the hilarious extended fight climax of Wes Craven's SHOCKER, although of course it's treated seriously here. Hiroshi Mikami is excellent as the haunted protagonist – think of the calibre of Hiroyuki Sanada in Ring and you'll be close – and the film as a whole never pulls its punches.
- Leofwine_draca
- 18 oct 2012
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Detalles
Taquilla
- Total a nivel mundial
- USD 652,525
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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