CALIFICACIÓN DE IMDb
7.2/10
48 k
TU CALIFICACIÓN
Un poeta se enamora de una estudiante de arte que se siente atraída por su estilo de vida bohemio y su amor por la heroína. Enganchados el uno al otro, su relación se alterna entre estados d... Leer todoUn poeta se enamora de una estudiante de arte que se siente atraída por su estilo de vida bohemio y su amor por la heroína. Enganchados el uno al otro, su relación se alterna entre estados de olvido, autodestrucción y desesperación.Un poeta se enamora de una estudiante de arte que se siente atraída por su estilo de vida bohemio y su amor por la heroína. Enganchados el uno al otro, su relación se alterna entre estados de olvido, autodestrucción y desesperación.
- Premios
- 6 premios ganados y 17 nominaciones en total
Cristian Lavin
- Little Angelo
- (as Cristian Castillo)
Argumento
¿Sabías que…?
- TriviaHeath Ledger was the director's only choice for the role of Dan.
- ErroresWhen Dan is sitting in the shower, the tattoo (which was real and was blacked out for some reason - it is actually a cluster of planets) on his shoulder smudges and transfers to the shower tile. The next scene it is intact.
- Versiones alternativasThere are six different versions. These are the runtimes: "1 hr 48 min (108 min) 1 hr 56 min (116 min) (Australia) 1 hr 48 min (108 min) (UK) 1 hr 48 min (108 min) (USA) 1 hr 48 min (108 min) (Hong Kong) 1 hr 48 min (108 min) (uncut) (UK)".
- ConexionesFeatured in Candy: Image Gallery (2006)
- Bandas sonorasSong to the Siren
Arranged and Produced by Paul Charlier
Performed by Paula Arundell
Performed by Tim Buckley
Courtesy of Universal Music Publishing Australia & Tim Buckley Music
Opinión destacada
Despite a couple of good reviews, I approached this film with foreboding. Movies about junkies in love, taken from searing autobiographical first novels are usually not what I would call entertaining, though there have been worthy earlier Australian efforts such as "Winter of Our Dreams" (with Judy Davis and Bryan Brown) and "Monkey Grip" (which starred Noni Hazelhurst and Colin Friels). As "Trainspotting" showed it is possible to be light hearted about drugs and addiction but the storyline here is far from cheering and there is no Hollywood-style happy ending. However it did not turn out as gruesome as I feared it might.
This was partly because of two stunning performances by Heath Ledger and Abbie Cornish as the not very happy couple, Dan and Candy. Somehow, Heath got it just right as the shambling, disorganized, would-be poet, who is nonetheless capable of pulling off an effective scam when required. Abbie gave us a beautiful, headstrong and dangerous Candy. Their scenes together are as intense and as convincing as you will get in the movies. They were both well supported by Tony Martin and Nonie Hazlehurst as Candy's parents and Geoffrey Rush as their supplier and friend Casper. Geoffrey Rush is a dangerous actor to use in a supporting role because of his ability to steal scenes, but he produces a wonderfully ambiguous character as a counterpoint to the intensity of the leads.
Caspar makes an interesting remark about drug usage: "When you're on it you don't want to stop, when you want to stop you can't." Artists have particular trouble since they see drugs as feeding creativity. Even so, some people break the habit. I hate to use the term "selfdiscipline" but that and the support of those close to you seem to be crucial factors. Being in love with another addict does not seem to be a great help, for obvious reasons. The Thought Police will be pleased that drug-taking is not glamourised and Dan and Candy's experiences are a mite painful, but the movie does not take a judgmental stance. If we had to have another movie about junkies in love, this is the one.
This was partly because of two stunning performances by Heath Ledger and Abbie Cornish as the not very happy couple, Dan and Candy. Somehow, Heath got it just right as the shambling, disorganized, would-be poet, who is nonetheless capable of pulling off an effective scam when required. Abbie gave us a beautiful, headstrong and dangerous Candy. Their scenes together are as intense and as convincing as you will get in the movies. They were both well supported by Tony Martin and Nonie Hazlehurst as Candy's parents and Geoffrey Rush as their supplier and friend Casper. Geoffrey Rush is a dangerous actor to use in a supporting role because of his ability to steal scenes, but he produces a wonderfully ambiguous character as a counterpoint to the intensity of the leads.
Caspar makes an interesting remark about drug usage: "When you're on it you don't want to stop, when you want to stop you can't." Artists have particular trouble since they see drugs as feeding creativity. Even so, some people break the habit. I hate to use the term "selfdiscipline" but that and the support of those close to you seem to be crucial factors. Being in love with another addict does not seem to be a great help, for obvious reasons. The Thought Police will be pleased that drug-taking is not glamourised and Dan and Candy's experiences are a mite painful, but the movie does not take a judgmental stance. If we had to have another movie about junkies in love, this is the one.
- Philby-3
- 29 may 2006
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 45,128
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,646
- 19 nov 2006
- Total a nivel mundial
- USD 2,105,096
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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