L2: Empuraan
- 2025
- 2h 59min
CALIFICACIÓN DE IMDb
6.2/10
13 k
TU CALIFICACIÓN
El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.
- Premios
- 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As we all know malyalam movies are renowned for the gripping story line which is majorly lacking in this, director did a pretty good job by combining two major story lines to build up for one more part but diluting a master piece has its own consequences.
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
The Good
Great visual treat, fantastic sets, very realistic. Locations are awesome, very good casts from Hollywood, Bollywood and Mollywood. Very few dialogues but still Mohanlal shines.
The Bad Story has a weak and predictable arc, a lot of credit has been given to the writer, yes writers should be given credit, but not this one, not one original idea or plot, just rehash or old tried and tested ones.
The Ugly Loopholes Galore: Shotgun shots produce rifle bullet effects. An unepected jungle running scene has people being picked off my hidden ropes as if its planned. A tree is set fire to, just for effects. Fight sequence go on for too long, you see 7 thugs attacking but during fight scenes 20 of them are being beaten up. Riots is shown completley one sided, and the worst of the riots is put together for people to endure. Why the CM should switch sides when he has won and is already ruling is pointless and not explained at all, its done just to fit the storyline. Small budget films like Kishkindha Kandam, Jaya Jaya Jaya he, Rekhachitram, Officer is executed better.
In an effort to make a pan Indian film Prithvi forgot what made malayalam films good. Hope there is some meat in L3.
The Bad Story has a weak and predictable arc, a lot of credit has been given to the writer, yes writers should be given credit, but not this one, not one original idea or plot, just rehash or old tried and tested ones.
The Ugly Loopholes Galore: Shotgun shots produce rifle bullet effects. An unepected jungle running scene has people being picked off my hidden ropes as if its planned. A tree is set fire to, just for effects. Fight sequence go on for too long, you see 7 thugs attacking but during fight scenes 20 of them are being beaten up. Riots is shown completley one sided, and the worst of the riots is put together for people to endure. Why the CM should switch sides when he has won and is already ruling is pointless and not explained at all, its done just to fit the storyline. Small budget films like Kishkindha Kandam, Jaya Jaya Jaya he, Rekhachitram, Officer is executed better.
In an effort to make a pan Indian film Prithvi forgot what made malayalam films good. Hope there is some meat in L3.
I watched the movie yesterday and noticed that the director (or someone involved) seemed to have a hidden agenda influencing the narrative. The first half had no real connection to the previous part , making it feel somewhat disconnected. However, I believe the filmmaker achieved their target without any cost.
The movie touches on various political issues in Kerala, highlighting the weaknesses of its leaders and referencing sensitive incidents. Given the nature of these topics, it should have undergone stricter censorship before release. While having a business-driven mindset is understandable, it should not come at the cost of manipulating history.
That said, the movie excels in its technical aspects-especially the action sequences and choreography, which were executed brilliantly. Overall, it's a commendable attempt, but it falls short of being a complete success.
Thanks!
The movie touches on various political issues in Kerala, highlighting the weaknesses of its leaders and referencing sensitive incidents. Given the nature of these topics, it should have undergone stricter censorship before release. While having a business-driven mindset is understandable, it should not come at the cost of manipulating history.
That said, the movie excels in its technical aspects-especially the action sequences and choreography, which were executed brilliantly. Overall, it's a commendable attempt, but it falls short of being a complete success.
Thanks!
Empuraan had the potential to be a masterpiece, but it falls short due to misplaced priorities. Instead of focusing on storytelling, Prithviraj seemed more invested in making every frame grand.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
Watched L2: Empuraan with high expectations after the gripping trailer, and to be honest, it stands as a worthy sequel.
Where to begin? Let's start at the beginning. Jathin Ramdas, the son of PKR and the Chief Minister of Kerala, has strayed far from his father's principles. As the saying goes, "Power corrupts, and absolute power corrupts absolutely." Aligning himself with a religious party, he plans to exploit Kerala-just like any CM in a typical political thriller. But where is Stephen Nedumpally? The man who once introduced Jathin to IUF and Kerala's political game must now step in to save God's Own Country. Will he succeed? That forms the core of the story.
Director Prithviraj Sukumaran has once again delivered a stylish and visually striking film, showcasing Mohanlal in all his mass glory with well-executed slow-motion shots and a powerful background score. However, one can't help but feel that Lalettan deserved more screen time.
The antagonist, Bhajrangi Bhai, is introduced as a menacing force in his flashback sequences, but unfortunately, this intensity isn't sustained in the second half, making his character feel somewhat underwhelming. Prithviraj himself gets ample screen time and, as expected, delivers a strong performance.
Overall, L2: Empuraan is a solid sequel that delivers stylish action, political drama, and mass moments. It may not be perfect, but it's definitely worth experiencing on the big screen.
Where to begin? Let's start at the beginning. Jathin Ramdas, the son of PKR and the Chief Minister of Kerala, has strayed far from his father's principles. As the saying goes, "Power corrupts, and absolute power corrupts absolutely." Aligning himself with a religious party, he plans to exploit Kerala-just like any CM in a typical political thriller. But where is Stephen Nedumpally? The man who once introduced Jathin to IUF and Kerala's political game must now step in to save God's Own Country. Will he succeed? That forms the core of the story.
Director Prithviraj Sukumaran has once again delivered a stylish and visually striking film, showcasing Mohanlal in all his mass glory with well-executed slow-motion shots and a powerful background score. However, one can't help but feel that Lalettan deserved more screen time.
The antagonist, Bhajrangi Bhai, is introduced as a menacing force in his flashback sequences, but unfortunately, this intensity isn't sustained in the second half, making his character feel somewhat underwhelming. Prithviraj himself gets ample screen time and, as expected, delivers a strong performance.
Overall, L2: Empuraan is a solid sequel that delivers stylish action, political drama, and mass moments. It may not be perfect, but it's definitely worth experiencing on the big screen.
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¿Sabías que…?
- TriviaEmpuraan was filmed using the anamorphic format with a 1:2.8 aspect ratio, ensuring visual consistency with the first film, Lucifer. Prithviraj confirmed the third installment will follow the same approach.
- ErroresIn the shot when the cars reverse and see a herd of cows, the gap between the cars change in different shots.
- Versiones alternativasThe makers decided to re-censor the film following backlash from various right-wing organizations. 17 cuts were made, toning down the violence against women and removing certain scenes featuring religious hatred and violence. Done to avoid hurting people's sentiments, this came after the Rashtriya Swayamsevak Sangh (RSS) mouthpiece Organiser criticized the film and accused it of using the backdrop of the 2002 post-Godhra riots to push an 'anti-Hindu political agenda'.
- ConexionesFollows Lucifer (2019)
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- How long is L2: Empuraan?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 9,283,660
- Tiempo de ejecución
- 2h 59min(179 min)
- Color
- Relación de aspecto
- 2.76 : 1
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