L2: Empuraan
- 2025
- 2h 59min
CALIFICACIÓN DE IMDb
6.2/10
13 k
TU CALIFICACIÓN
El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.El viaje de Stephen Nedumpally, un hombre que lleva una doble vida como Khureshi Ab'raam, enigmático líder de un poderoso sindicato del crimen mundial.
- Premios
- 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was extremely impressed by Prithviraj's direction and the overall making of the film. The visuals, cinematography, and background score were top-notch and clearly demonstrated the effort and vision behind the project. The scale of the film and its technical aspects were commendable, setting high expectations for the story that followed.
Unfortunately, the content of the film didn't quite live up to those expectations. It felt cluttered with unnecessary elements, many of which didn't add any real value to the narrative. One of the biggest disappointments was Mohanlal's portrayal of the character Abraham. His performance lacked the depth and expression we've come to expect from him, especially when compared to his iconic role as Stephen. The character of Abraham came across as flat and unimpactful, leaving fans longing for the familiar charisma and emotional depth that Stephen brought to the screen.
Additionally, the movie was bogged down by an excessive number of characters who seemed irrelevant to the plot. Their presence detracted from the main story and weakened the overall impact of the film. It felt like the movie was trying to juggle too many storylines, which ultimately left it feeling disjointed and unfocused.
In conclusion, while the craftsmanship and ambition behind the film are commendable, the content and storytelling failed to meet the mark. What could have been a gripping, memorable experience ended up feeling bloated and underwhelming.
Unfortunately, the content of the film didn't quite live up to those expectations. It felt cluttered with unnecessary elements, many of which didn't add any real value to the narrative. One of the biggest disappointments was Mohanlal's portrayal of the character Abraham. His performance lacked the depth and expression we've come to expect from him, especially when compared to his iconic role as Stephen. The character of Abraham came across as flat and unimpactful, leaving fans longing for the familiar charisma and emotional depth that Stephen brought to the screen.
Additionally, the movie was bogged down by an excessive number of characters who seemed irrelevant to the plot. Their presence detracted from the main story and weakened the overall impact of the film. It felt like the movie was trying to juggle too many storylines, which ultimately left it feeling disjointed and unfocused.
In conclusion, while the craftsmanship and ambition behind the film are commendable, the content and storytelling failed to meet the mark. What could have been a gripping, memorable experience ended up feeling bloated and underwhelming.
As we all know malyalam movies are renowned for the gripping story line which is majorly lacking in this, director did a pretty good job by combining two major story lines to build up for one more part but diluting a master piece has its own consequences.
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
Rather than concentrating on the narrative and expanding the 'Lucifer' universe, it seems the creators prioritised showcasing the impressive scale and opulence they achieved, particularly striking for an industry that rarely ventured into such lavish and extravagant realms.
This emphasis is evident at frequent intervals, especially when they lead the protagonist to exotic locations, make him do sleek, slo-mo action, all while maintaining an air of sophistication and grandeur.
Now do not get me wrong, I am not opposing the ambition to go grand and embrace flamboyance, particularly when the film's budget allows for such creative freedom. However, that should not compromise the quality of the writing or the development of the characters. When one strips away all the glitz & glamour and assesses the feature purely from a story point of view, shortcomings become apparent.
FYI, I appreciated the original 'Lucifer' for its intent to weave a compelling political thriller, and I was captivated by the character of 'Stephan', I was eager to delve deeper into his story in this continuation.
Even when the trailers for the sequel promised an entirely new experience, I held onto my hopes for something deserving of my wait & anticipation, but unfortunately, none of those were fulfilled, it did not meet my expectations.
This emphasis is evident at frequent intervals, especially when they lead the protagonist to exotic locations, make him do sleek, slo-mo action, all while maintaining an air of sophistication and grandeur.
Now do not get me wrong, I am not opposing the ambition to go grand and embrace flamboyance, particularly when the film's budget allows for such creative freedom. However, that should not compromise the quality of the writing or the development of the characters. When one strips away all the glitz & glamour and assesses the feature purely from a story point of view, shortcomings become apparent.
FYI, I appreciated the original 'Lucifer' for its intent to weave a compelling political thriller, and I was captivated by the character of 'Stephan', I was eager to delve deeper into his story in this continuation.
Even when the trailers for the sequel promised an entirely new experience, I held onto my hopes for something deserving of my wait & anticipation, but unfortunately, none of those were fulfilled, it did not meet my expectations.
Empuraan had the potential to be a masterpiece, but it falls short due to misplaced priorities. Instead of focusing on storytelling, Prithviraj seemed more invested in making every frame grand.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
Watched L2: Empuraan with high expectations after the gripping trailer, and to be honest, it stands as a worthy sequel.
Where to begin? Let's start at the beginning. Jathin Ramdas, the son of PKR and the Chief Minister of Kerala, has strayed far from his father's principles. As the saying goes, "Power corrupts, and absolute power corrupts absolutely." Aligning himself with a religious party, he plans to exploit Kerala-just like any CM in a typical political thriller. But where is Stephen Nedumpally? The man who once introduced Jathin to IUF and Kerala's political game must now step in to save God's Own Country. Will he succeed? That forms the core of the story.
Director Prithviraj Sukumaran has once again delivered a stylish and visually striking film, showcasing Mohanlal in all his mass glory with well-executed slow-motion shots and a powerful background score. However, one can't help but feel that Lalettan deserved more screen time.
The antagonist, Bhajrangi Bhai, is introduced as a menacing force in his flashback sequences, but unfortunately, this intensity isn't sustained in the second half, making his character feel somewhat underwhelming. Prithviraj himself gets ample screen time and, as expected, delivers a strong performance.
Overall, L2: Empuraan is a solid sequel that delivers stylish action, political drama, and mass moments. It may not be perfect, but it's definitely worth experiencing on the big screen.
Where to begin? Let's start at the beginning. Jathin Ramdas, the son of PKR and the Chief Minister of Kerala, has strayed far from his father's principles. As the saying goes, "Power corrupts, and absolute power corrupts absolutely." Aligning himself with a religious party, he plans to exploit Kerala-just like any CM in a typical political thriller. But where is Stephen Nedumpally? The man who once introduced Jathin to IUF and Kerala's political game must now step in to save God's Own Country. Will he succeed? That forms the core of the story.
Director Prithviraj Sukumaran has once again delivered a stylish and visually striking film, showcasing Mohanlal in all his mass glory with well-executed slow-motion shots and a powerful background score. However, one can't help but feel that Lalettan deserved more screen time.
The antagonist, Bhajrangi Bhai, is introduced as a menacing force in his flashback sequences, but unfortunately, this intensity isn't sustained in the second half, making his character feel somewhat underwhelming. Prithviraj himself gets ample screen time and, as expected, delivers a strong performance.
Overall, L2: Empuraan is a solid sequel that delivers stylish action, political drama, and mass moments. It may not be perfect, but it's definitely worth experiencing on the big screen.
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¿Sabías que…?
- TriviaEmpuraan was filmed using the anamorphic format with a 1:2.8 aspect ratio, ensuring visual consistency with the first film, Lucifer. Prithviraj confirmed the third installment will follow the same approach.
- ErroresIn the shot when the cars reverse and see a herd of cows, the gap between the cars change in different shots.
- Versiones alternativasThe makers decided to re-censor the film following backlash from various right-wing organizations. 17 cuts were made, toning down the violence against women and removing certain scenes featuring religious hatred and violence. Done to avoid hurting people's sentiments, this came after the Rashtriya Swayamsevak Sangh (RSS) mouthpiece Organiser criticized the film and accused it of using the backdrop of the 2002 post-Godhra riots to push an 'anti-Hindu political agenda'.
- ConexionesFollows Lucifer (2019)
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- How long is L2: Empuraan?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 9,283,660
- Tiempo de ejecución
- 2h 59min(179 min)
- Color
- Relación de aspecto
- 2.76 : 1
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