Excessive length: The film feels endless, giving the impression that it takes an eternity to conclude.
Uneven acting: While the main actors deliver strong performances, the supporting cast struggles to convince.
Unbelievable romance: There's no real explanation for why Béatrice falls in love with Mokhtar, making their relationship hard to accept.
Unnecessary scenes: The lengthy sex scenes add nothing to the plot and come across as superfluous.
Rushed character development: Béatrice stops being racist after a brief walk through a migrant camp, during which she is shown all the tents for no apparent reason, seemingly just to speed up the storyline at an unnecessary point.
Poor sound quality: The sound design is sloppy. You can hear the lavalier microphones rubbing against clothing, and whispered dialogue is often unintelligible.
Linguistic inconsistency: The relationship between Béatrice and Mokhtar is uncomfortable, partly due to their age gap and initial inability to communicate. Yet, inexplicably, they suddenly become bilingual at certain points in the film.
Positive aspects: The lighting and framing are well-crafted, delivering visually pleasing shots despite the film's other flaws.
Just a heads-up: there are a lot of unnecessarily long sex scenes, and there's also a penis shown. None of this adds anything to the film.