Chapter Five: The Nina Project
- El episodio se transmitió el 27 may 2022
- B15
- 1h 16min
Owens lleva a El a Nevada, donde se ve obligada a enfrentarse a su pasado, mientras los niños Hawkins peinan una casa en ruinas en busca de pistas. Vecna reclama otra víctima.Owens lleva a El a Nevada, donde se ve obligada a enfrentarse a su pasado, mientras los niños Hawkins peinan una casa en ruinas en busca de pistas. Vecna reclama otra víctima.Owens lleva a El a Nevada, donde se ve obligada a enfrentarse a su pasado, mientras los niños Hawkins peinan una casa en ruinas en busca de pistas. Vecna reclama otra víctima.
- Dirección
- Guionistas
- Elenco
- Erica Sinclair
- (solo créditos)
Opiniones destacadas
So many moment of the series i cannot be happier that this has been released. Through out this episode yet again you can tell that they have taken a massive step forward with the cast being slightly older and having the time to create such a deep and impactful series.
The twist of the episode really took me by surprise. With Dr Owens character always flipping between someone you can trust to someone who knows to much to not be manipulative! Still just a great episode that propels this so far forward.
Overall i love seeing everyone one of these episodes of the series. I have never wanted to binge this series because its so good and i want to know as much of this after each episode.
If this isn't a Emmy worthy performance, I honestly don't know what is.
This episode is no different. It gets closer to the epic finale but it also is entertaining by itself. Unpopular opinion but the Russia scenes in this episode were the best parts in The Nina Project. I was waiting for a while for this plot line to do something and when it finally did, it was a breath of fresh air.
Overall season 4 is doing pretty good so far. Let's hope it stays like this.
This is another strong episode with intense moments, decent humour, and more great tributes to the era.
The main focus are the events in Hawkins and the plight of Eleven. Both plots are portrayed with brilliant visual storytelling. The cinematography, lighting and editing are top drawer.
The banter between Gaten Matarazzo and Joe Keery is a highlight. Plus it's great to see Millie Bobby Brown after her absence from the previous chapter and she is excellent as always.
There is a big Stephen King tribute in all of the above, with books like 'It' and 'Firestarter' influencing the writing. Also, the 'Nightmare on Elm Street' homage continues to work well.
I also enjoyed the humour of Joyce, Murray and Yuri with their aerial high jinks. Brett Gelman is on great form in these scenes and it is quite fun.
Some aspects scenes involving Hopper at the moment feel a bit forced. David Harbour delivers his monologue well, but from a writing perspective it comes across as a slightly awkward exposition dump to me.
¿Sabías que…?
- TriviaAs soon as Will mentions the Juegos de guerra (1983), a cue from that movie's musical score starts playing.
- ErroresThe opera about Nina was apparently written in 1786. No wonder Nina's lover did not return to the train station where she awaited him - trains had not yet been invented .
- Citas
Jim Hopper: I used to think I was cursed. Ever since I was 18. Got some letter of induction in the mail. Uncle Sam wants me to go fight some war in the jungle. Charlie's moving south like a plague 'cause of commie bastards like you, and... you know, I'm happy enough to go. Prove to my old man I'm not the piece of shit he thinks I am. I get over there, I must test well, and they put me in the Chemical Corps. There I am. I'm just... a kid, you know. I'm 18 years old, 8,000 miles away, and I'm mixing up these... 55-gallon drums of Agent Orange. With just these kitchen gloves, you know? We used to clean out these buffalo turbines after a run and just be inhaling the stuff. No masks, nothing. "It's not chemical warfare. It's just herbicide to kill plants. Harmless." That's what they told us. And then I got back to real life, and these guys I worked with, the ones that made it back, they started trying to get back to normal, you know? Having families. And then things started going wrong. Kids born stillborn. Dead in the womb. Crooked spines, eyes popped out. The horror... dollowed us, clung to us. My wife Diane, she wanted a baby. I did too. We had a baby, and she was, um... She was born healthy. She was perfect, you know. Sara. And then she died. It wasn't an easy death. She... suffered. I knew the risks, but I, um... I hid them. And then Diane left me. She didn't blame me. Not with words. After that, I was just... I just hid myself in drugs and alcohol. And then people started coming into my life. This girl El, and Joyce just happened, and I told myself they needed me. But that wasn't true. That's a lie. They didn't need me. I needed them. I needed them. You were right, what you said last night. I knew the risks, breaking out of here, but I did it anyway. The minute I sent for Joyce, the minute I sent for her, I sentenced her to death. Just like I did with Sara. Everyone I love, I hurt. See, I was wrong this whole time. I wasn't cursed. I am the curse.
- ConexionesReferences Apocalipsis (1979)
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Detalles
- Tiempo de ejecución
- 1h 16min(76 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1