Kingdom
- 2025
- 2h 38min
Un policía encubierto viaja a Sri Lanka para desmantelar una organización criminal, pero se enfrenta a un dilema desgarrador cuando descubre que su hermano distanciado está detrás de todo.Un policía encubierto viaja a Sri Lanka para desmantelar una organización criminal, pero se enfrenta a un dilema desgarrador cuando descubre que su hermano distanciado está detrás de todo.Un policía encubierto viaja a Sri Lanka para desmantelar una organización criminal, pero se enfrenta a un dilema desgarrador cuando descubre que su hermano distanciado está detrás de todo.
- Dirección
- Guionista
- Elenco
Bhagyashri Borse
- Madhu
- (as Bhagyashree Borse)
Rohini
- Siva's Mother
- (as Rohini Molleti)
Bhoomi Shetty
- Gauri
- (as Bhoomika Shetty)
Muralidhar Goud
- Police SI
- (as Ireni Muralidhar Goud)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The basic plot and the core characters do have potential, and the first half manages to hold mild interest. But from the get-go, the storytelling feels a bit patchy, and by the time the second half arrives, the film begins to lose steam completely. Many scenes feel flat, emotions don't land as intended, and the narrative never really builds momentum. The climax is just about okay-neither satisfying nor disappointing, just safely passable.
Vijay Devarakonda is a talented actor who has delivered few brilliant performances in the past and a few that fell short but this stands out to be his weakest performance to date.
Satya Dev also brings a grounded intensity to his role.
Bhagyashree looks fine, but her acting doesn't rise above average-it might be time she explores more glamorous roles that play to her strengths.
The rest of the cast are serviceable and do their job without any major highs or lows.
On the brighter side, the technical departments shine. The production values are impressive-locations are picturesque, sets and props are tastefully designed, and the costumes and makeup are neatly done. The cinematography is rich and adds visual appeal, while the background score enhances a few key moments, though it doesn't stay memorable. Two of the fight sequences stand out with slick choreography and decent buildup-they offer some of the film's rare bursts of energy.
The direction doesn't falter entirely, but it doesn't elevate the film either. With a sharper script and more emotional depth, this could have been a far more engaging watch. As it stands, it's a film that plays it safe and ends up being just about tolerable. Not a must-watch by any means, but if the trailers caught your eye or you're a loyal Vijay Devarakonda fan, it might just pass the time.
Vijay Devarakonda is a talented actor who has delivered few brilliant performances in the past and a few that fell short but this stands out to be his weakest performance to date.
Satya Dev also brings a grounded intensity to his role.
Bhagyashree looks fine, but her acting doesn't rise above average-it might be time she explores more glamorous roles that play to her strengths.
The rest of the cast are serviceable and do their job without any major highs or lows.
On the brighter side, the technical departments shine. The production values are impressive-locations are picturesque, sets and props are tastefully designed, and the costumes and makeup are neatly done. The cinematography is rich and adds visual appeal, while the background score enhances a few key moments, though it doesn't stay memorable. Two of the fight sequences stand out with slick choreography and decent buildup-they offer some of the film's rare bursts of energy.
The direction doesn't falter entirely, but it doesn't elevate the film either. With a sharper script and more emotional depth, this could have been a far more engaging watch. As it stands, it's a film that plays it safe and ends up being just about tolerable. Not a must-watch by any means, but if the trailers caught your eye or you're a loyal Vijay Devarakonda fan, it might just pass the time.
Positives: Excellent camera work, Vijay Deverakonda's presence, some good Anirudh music, initial Hyderabad constable scenes, high production values, authentic Sri Lankan/South Indian locations, and an attempt to blend an old template with a new visual style.
Negatives: Overly layered, confusing screenplay with illogical plot developments; unclear character motivations; lack of detail and clarity; clichéd and ineffective heroine track; frustrating and silly proceedings in both halves; routine plot tropes (tribal/saviour/chosen one); ineffective sentiment; nothing new musically from Anirudh; too many familiar elements; unrealistic makeovers for a period drama.
Negatives: Overly layered, confusing screenplay with illogical plot developments; unclear character motivations; lack of detail and clarity; clichéd and ineffective heroine track; frustrating and silly proceedings in both halves; routine plot tropes (tribal/saviour/chosen one); ineffective sentiment; nothing new musically from Anirudh; too many familiar elements; unrealistic makeovers for a period drama.
Kingdom blends myth and legend, refugee drama, stylized action along with good visuals and standout BGM by Anirudh. It's the bgm, and screen presence of VD and Satyadev that carries the film more than the narration. The story is reminiscent of recent films like Retro and that's why it feels familiar. The first 15 minutes or so upto the title card is probably the best scene in the first half, or even in the entire movie. But the second half seems to falter a bit with more drama, and some predictable plot twists. The pre climax and climax scenes were well shot. In short, they've tried to make something memorable, but since it heavily borrowed from recent films, it's predictable, and yet partially satisfying for a one time watch. It's one more popcorn movie, don't expect something extraordinary from Kingdom, and it won't disappoint.
Kingdom is a Very good story.
If directed better, it could have been a comeback for Vijay.
I'd not say directed better, it's more of editted better.
Whenever I feel like I'm getting to something, it disconnects.
Vijay character was justified half, Satya to 25% and Bhagya to 1%???
In jersey Shraddha and Nani made cinema as it was meant and it's a hit!
That's missed here,,, if Satya had a back story, if Vijay fitted in that slowly and Bhagya was a part of it - I'd guarantee a HIT.
But, it's a cinema - Hits and flops.
That apart, Kingdom was beautiful in pieces, and the Dop is top notch with the given budget.
Anirudh shined for only 30-40 % of the cinema and that's understandable.
Hridiyam lopala was missing man, you lost 10 marks there only. You can't deny it.
Setup is there and pay off as well but all in a hurry.
Underdog Vijay, suddenly overshadows Satya who's word is a shashanam for his people and it happens just like that.
There are few such scenes which disconnected me from story multiple times.
The part 1-2 trend has one more victim now!
Still, a one time watch movie for many things and only once for many other thing's!
If directed better, it could have been a comeback for Vijay.
I'd not say directed better, it's more of editted better.
Whenever I feel like I'm getting to something, it disconnects.
Vijay character was justified half, Satya to 25% and Bhagya to 1%???
In jersey Shraddha and Nani made cinema as it was meant and it's a hit!
That's missed here,,, if Satya had a back story, if Vijay fitted in that slowly and Bhagya was a part of it - I'd guarantee a HIT.
But, it's a cinema - Hits and flops.
That apart, Kingdom was beautiful in pieces, and the Dop is top notch with the given budget.
Anirudh shined for only 30-40 % of the cinema and that's understandable.
Hridiyam lopala was missing man, you lost 10 marks there only. You can't deny it.
Setup is there and pay off as well but all in a hurry.
Underdog Vijay, suddenly overshadows Satya who's word is a shashanam for his people and it happens just like that.
There are few such scenes which disconnected me from story multiple times.
The part 1-2 trend has one more victim now!
Still, a one time watch movie for many things and only once for many other thing's!
This movie begins on a promising note, as if another director from Andhra Pradesh were about to conjure the magic of Baahubali through the well-worn trope of reincarnation. But halfway through, the promise caves in. The movie slumps so badly in the last fifteen minutes that a narrator's voice-over is introduced to keep the movie from falling apart at the seams. Unfortunately, the Telugu industry's fascination with sequels is partly to blame: the second half feels less like a story than a prologue to a sequel that will never see the light of day after the cold reception of this movie. Another chink in the armour is its depiction of female characters. A noticeable pattern in successful Telugu movies is that women are written as powerful presences. However, this movie is fixated on masculinity, articulated through male violence -- which itself lacks grace and panache. To crown all, the movie lacks a decent musical score. Without one, it should give up its dream to become a saleable commodity in the Telugu industry.
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Detalles
Taquilla
- Total a nivel mundial
- USD 400,392
- Tiempo de ejecución
- 2h 38min(158 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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