Ghahreman

Can one do a good deed even if it's under false pretenses? If so, is it still "heroic"? Superb Writer-Director Asghar Farhadi's (A SEPARATION, SALESMAN) latest is based on the simplest of premises: A man discovers a lost bag containing gold. The finder here is Rahim (Amir Jadidi) who is on leave from debtor's prison when he comes into possession of the loot. The valuables could go a long way to helping him pay off his debt -- and possibly lead to his release so he can return to his son and fiancee Farkhondeh (Sahar Goldust).

With Farhadi, nothing is ever as simple as it seems. Every thought and glance - let alone action - has consequences (as does inaction). The auteur weaves a complex web of motivations into the most elemental of deeds. The notions of 'good' and 'bad' are far less important than the moral and ethical implications. The title itself ironically invokes what happens to Rahim's reputation -- as well as those of his family and anybody else who are drawn into his entanglements.

The screenplay evokes classic Italian Neo-realism where something as innocent as buying a pair of shoes can create a whole complex journey around it (an example which the great screenwriter Cesare Zavattini himself used). Farhadi includes current technology such as social media, but, at it's heart, it's a tale of a man and his choices. The setting in Iran is also cleverly woven into the fabric of the storytelling with its notions of family honor and treatment of women being key subtexts.. There are a few moments here and there that get a bit repetitive, but, there is always a sense that Farhadi is firmly in control of the narrative.

None of this would work without some fine acting and Farhadi's keen eye. Jadidi is excellent as the hapless 'hero'. Mohsen Tanabandeh is equally fine as the stubbornly proud creditor as are several more in the large cast. Each actor perfectly representing their character's particular viewpoint. Farhadi isn't a stylist in the common cinefile definition of the word, but his precise camera placements and editing nonetheless mark him as one of the finest Director's working in the world. A HERO adds to his impressive resume.

You've failed to pay a debt, and you must pay, so it's off to debtors prison for a stay, an inconsistent crime, just like the serving of your time, so you walk a line, keep fingers crossed, and pray. One day, it looks as if you've found the key, to build support from others, and you might be free, you're the hero of the day, they want to listen to what you say, but your creditor is struggling to agree. Momentum builds, and society supports, but soon there's questions about events, that you purport, the best laid plans are all soon scuppered, you're deviations are discovered, future freedom is now buckled, and distort.

Engrossing and engaging, perfectly presented and performed, and if it does nothing other than getting you to think about how you might behave in the same or similar scenario then it's done its job.

In cinema, there is usually a clear division between the bad guys and the good guys. The viewer identifies with the former, and dislikes the latter. This is easy for the audience and for the film maker.

But Asghar Farhadi is known for not taking the easy way. In 'A Hero', the good guy can turn out to be bad after all, and vice versa. Or, more accurately, the division between good and bad is blurred. Everyone has good intentions, but sometimes they come out bad.

This is why Farhadi is one of the greatest contemporary film makers. His films deal with moral issues, just as people in the real world do. His characters are complex, like we alle are. There are no easy solutions to the problems, just as in real life.

'A Hero' tells the story of an ordinary man who gets involved in a situation he no longer controls. He is perceived as a hero because he returned a bag with valuables to its owner, but when his story is doubted, fate turns against him. The situation becomes complex, more and more people get involved and there is gradually more at stake as the story unfolds.

The screenplay of this film is perfect. Every details has a meaning somewhere in the story. Things are not spelled out, but nothing is left vague. The beauty is also that this is a circular story, with an end that is the opposite of the beginning. The very last scene is wonderful in its simplicity and understated meaning.

With this film, Farhadi shows us also what life is like in modern Iran. It's not a political film and the story is rather universal, but several elements can be perceived as critical for Iranian society. The 'hero' is jailed for an unpaid debt, which is something we don't do in western countries. He has to keep his relationship with his girlfriend a secret, because they are not married yet. Another character had to spend his daughter's dowry, and we see her as an unmarried woman, living with her father.

For me 'A Hero' is one of the best films I've seen this year and also one of the best films Farhadi has made. A perfectly told story, which keeps on offering new elements to evaluate reality - that is what film making should be all about.

Iranian film with innovative plot by Asghar Farhadi.

Amir Jadidi caries the movie. He wrestles with a moral dilemma and tries to do the right thing but circumstances do not favor him. He beautifully portrays the character's mild mannerisms and shows his anger due to festering frustrations and flare ups. Supporting cast has done a great job. Overall a decent movie which feels REAL and offers the viewer something new.

After a rare unexpected misfire with his last feature, the Oscar-winning Persian filmmaker Asghar Farhadi returns with a vengeance to prove why he is one of contemporary cinema's finest storytellers and delivers what's arguably his best work since A Separation. Jam-packed with all the attributes that make his stories so restlessly riveting, A Hero is another laser-focused & razor-sharp drama that unravels with cut-throat intensity.

Written & directed by Farhadi (About Elly & The Salesman), the premise is deceptively simple as expected and yet again, using mere truth & lies, the director weaves a tightly structured & intricately layered narrative that keeps us on the edge at all times. His unfailing ability to take a seemingly straightforward situation and then effortlessly turn it into a complex, challenging & nerve-wracking moral conundrum is one trait that never fails to impress.

What makes Farhadi's latest film so gripping & effective is that we as viewers can relate to what the protagonist is trying to do but we also see him unnecessarily dragging himself into a predicament that becomes increasingly difficult to escape from with every decision he makes and yet, all we can do is be a spectator to his undoing. Amir Jadidi's performance is crucial to this web of truth, lies, morality, deceit, honour, conscience & consequence and he plays his role to perfection.

Overall, A Hero is an ingeniously crafted & tautly narrated drama that unfolds with the unrelenting ferocity, nail-biting tension & edge-of-the-seat quality of a first-rate thriller and is accomplished enough on all fronts to cement its spot amongst the best all-round films of 2021. Presenting the Persian auteur at the apex of his craft while also establishing him as a luminary who's operating on a whole another level and is far ahead of his contemporaries, A Hero is top-tier cinema & a flat-out masterpiece.