CALIFICACIÓN DE IMDb
6.7/10
50 k
TU CALIFICACIÓN
La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.La historia se centra en un año en la vida de tres hombres que intentan sobrevivir a los recortes en su compañía, y en cómo les afecta a ellos y a sus familias.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 11 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJohn Wells included real sentences and explanations from CEOs and their wives gathered from his research for the screenplay.
- ErroresThe shipyard visited by Ben Affleck and Tommy Lee Jones was supposedly closed only a few months before. However, it is obvious that it has been abandoned for many years.
- Citas
Phil Woodward: Dress code pretty lax around here?
Bobby Walker: You should see casual-Friday...
- Créditos curiososMidway through the credits, financial reports from various news sources can be heard for a minute.
- ConexionesFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- Bandas sonorasSwept Inside
Written by Future Islands
Performed by Future Islands
Courtesy of Thrill Jockey Records
By arrangement with Bank Robber Music
Opinión destacada
Is this really the nearest Hollywood comes to understanding the real world - and the economic 'downturn' ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
A bunch of more corporate, unsympathetic characters you could not hope to imagine but they are all forced to embark on a voyage of discovery by heartless, cost-cutting conglomerates who have the audacity to fire executives further up the chain.
Chris Cooper (normally brilliant) discovers that more elderly people may struggle to find employment in the workplace whilst Ben Affleck (not normally brilliant) is made to realise that people wear gloves at work, have to carry heavy things and don't even go out to lunch on their breaks. Tommy Lee Jones just looks surly and grouches a lot... though his millions of dollars of shares increase in value, thank goodness.
The huge house and top-of-the-range German cars are on the line though as times get truly 'slightly uncomfortable' but thankfully it's Afflecks' sons' X-Box that goes first and the awful step down to manual labour doesn't seem so bad when you can master the wielding of a nail-gun in five minutes flat.
Corporate America is often an ugly thing, and this trite, patronising offering is no exception. It is almost nauseating in its' attempt to extract some sort of audience feeling for these greedy, grasping corporate 'executives'.
Who cares ?
- timlittle
- 15 jun 2015
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Büyük Adamlar
- Locaciones de filmación
- Daisy Buchanan's - 240A Newbury Street, Boston, Massachusetts, Estados Unidos(bar where Gene finds Phil)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,441,272
- Fin de semana de estreno en EE. UU. y Canadá
- USD 647,797
- 23 ene 2011
- Total a nivel mundial
- USD 8,087,000
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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