El club de los milagros

Unusually positive movie of happy endings without becoming syrupy or preachy. Starts a bit slow and contrived, but becomes engaging after the bus to Lourdes departs and a web of hidden relationships and past sins are gradually are explained. Unusual film in that it displays almost an overdose of vivid Catholic imagery. Includes a priest who's a likeable, normal guy. Its portrayal of 1960's Ireland was a fascinating historical throwback. Irish accents were pretty thick. I wish I could have watched with subtitles on because I could not understand some key moments of dialogue. Based on others reactions in the theater, I don't think I was alone in this.

It seemed like one of those British feel-good, small scale, movies, that you know that will not sweep you of your feet, but you know that you are going to have fun. And this is exactly what you get, just with a large-scale actress, unlike the ones that has one or two old actors or actresses - now you get three and what an excellent choice of casting.

Its pretty known story about a woman that comes to her hometown after her mother passed away and starts opening closed doors from old and rusty closets from the past. She goes to a road trip with her mothers' old friends to a cause that her mother started and this time we are talking about a holy place in France, which Holly Marry was supposedly watched bathing or something.

Two old ladies and one young woman with a silent child are the supporting characters and almost all of them has a strong connection to the visiting woman and a big secret is about the raddle their reality and ordinary quiet lives. You can sprinkle a little bit religion issues and off course faith stuff and we are inside the heart of the movie and pretty quickly.

It doesn't have anything special as it goes for the script and the actresses doesn't give the one time show of their lives, but all together works good and even tries to get us of the regular movie mold and script limitations. It has some funny-bitter-sweet moments, heart breaking moments, that are not selling very well and it is pretty good.

None of the sub-genre of this movie doesn't represent properly. When it is funny, it is not funny enough and doesn't try to be very comic. When it is sad, it is hardly going to pull any emotion from you and it is not so good with drawing the audience into the heart of the plot, but somehow it manages to get out unharmed.

It is a movie that doesn't want to break the regular road of the script that tries to get to the desired result - give the audience what is expected from it. Just watching those epic actresses join forces together, but the fact they all settle for such a mediocre movie and script gives us hope for better results next time.

Beautifully acted film about faith and the ties that bind ... despite the secrets and lies.

An Irish parish is holding a talent contest and the winner gets a trip to Lourdes. Three friends are hoping to win but one dies before the contest. Her estranged daughter (Laura Linney) returns to the village after 40 years for the funeral.

She's met with resentment from her old friend (Kathy Bates) and her first love's mother (Maggie Smith). The women don't win the trip but end up going anyway and each one faces the limits of faith and love when they expect miracles to happen at Lourdes.

The star actresses are all terrific and make this film worth watching. Co-stars include Stephen Rea, Niall Buggy, Agnes O'Casey, and Mark O'Halloran.

The Miracle Club is a well-made movie about three generations of women coming to terms with the past. As part of their pursuit of healing from physical or emotional wounds, they take advantage of winning tickets for a journey to Lourdes, the beautiful city at the base of the Pyrenees Mountains. Many people, especially Roman Catholics, believe that miraculous healings take place at Lourdes. And our three women have high expectations that they will experience their own miracles.

The movie approaches the story with restraint, and it intimately explores the relationships between the women. Faith and forgiveness are solid themes; consequently, the tone is often sombre and reflective. But moments of humour and warmth peek through, avoiding excessive melancholy.

The best thing about The Miracle Club is the actors who portray the three women - Laura Linney, Maggie Smith, and Kathy Bates. These three seasoned actors never miss a beat. You can feel the chemistry between them. Their characters are well-developed and relatable, and each one of them gives an outstanding performance.

The direction makes the most of the intimate setting, and the musical score is understated but effective, adding to the sombre tone of the story. The cinematography provides stunning backdrops to the drama going on with the three women. The use of colour is subtle and effective, and the story moves along at a steady pace. The dialogue is well-written, natural, and feels authentic.

After watching The Miracle Club, I felt reflective and introspective. The movie's exploration of faith and healing was well-handled and made some subtle points about what it might mean to be healed in ways that were not miraculous but were more focused on forgiveness. Too many people look for miracles rather than focusing on their close-to-home relationships that, if healthy, can bring emotional healing. And sometimes, we need to accept that not everything can be rectified, and we need to accept what we cannot change.

The Miracle Club had the potential to tip over into saccharine and sentimental drama. But fortunately, this is avoided and is, overall, a well-made, well-acted movie with a solid plot and relatable characters. While it doesn't reach the level of greatness, I'd recommend it to anyone who loves character-driven drama and solid storytelling.

Four ladies from Balllygar, Ireland join a travel group going to Lourdes hoping for personal miracles to happen. That's it in a nutshell, but on the other hand it says almost nothing about the substance of this warm and mostly gentle film. An exceptional cast (Maggie Smith, Laura Linney, Kathy Bates, Agnes O'Casey and many fine supporting players) leads the way. These four have a complicated mutual history the threads of which intertwine and finally resolve in unlooked-for mutual forgiveness which, if there is one, is the actual miracle. They heal each other, and that's the message.

Kathy Bates and Maggie Smith do their best with strong Irish accents -- though I was left wondering why native Irish actors weren't picked (maybe the producers just wanted the star power). You might expect that Maggie Smith would steal the show, as she can do with almost anything, but she turns out to have the restraint necessary to make this a true ensemble piece. And it's actually Chrissie (Laura Linney's part) who turns out to be the crucial role in the story. Enjoy.