Una perspectiva íntima de los orígenes de Napoleón Bonaparte y su veloz e implacable ascenso al trono, a través del enfoque de su cautivadora e inestable relación con su esposa y único amor ... Leer todoUna perspectiva íntima de los orígenes de Napoleón Bonaparte y su veloz e implacable ascenso al trono, a través del enfoque de su cautivadora e inestable relación con su esposa y único amor verdadero, Josefina.Una perspectiva íntima de los orígenes de Napoleón Bonaparte y su veloz e implacable ascenso al trono, a través del enfoque de su cautivadora e inestable relación con su esposa y único amor verdadero, Josefina.
- Dirección
- Guionista
- Elenco
- Nominado a 3 premios Óscar
- 6 premios ganados y 47 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
History is an undesired guest taking the backseat in Mr Scott's sprawling epic on Napoleon's life.
Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.
I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.
Mr Scott's craftsmanship is such that it's undoubtedly able to offer the viewer some unique experiences. But stunning battle visuals and great performances by the lead actors don't make up for gross historical approximation.
I have no doubt whatsoever that Mr Scott knows his history and, if he didn't, he surely has a fat staff of assistants to tell it to him; so what he does here (as he did already in Gladiator) is a very deliberate and blatant choice to bend historical reality to the purposes of his own art, which looks like an act of unforgivable artistic hubris.
Yes, that's a real quote from Joaquin Phoenix to Ridley Scott right before they started filming. I love Joaquin Phoenix, but you can really tell that he doesn't "get" the character of Napoleon that he's trying to play. I honestly don't know if Phoenix even has that kind of charisma and confidence within him, but then again I don't know anything about Napoleon either. But it was just uncomfortable watching him stumble his way through the movie, often just looking clueless.
The other problem with the movie is it's just plain dull and uninteresting. It really does feel like a "highlights" movie. For an almost 3-hour film, it has surprisingly little dialogue. The dialogue that's there isn't' that illuminating or interesting. I normally like politics and romance (which is the bulk of this story), but I would have loved to see more military and war stuff in a movie like this. Isn't Napoleon supposed to be a brilliant war leader? There's like none of that here. Except "oh we'll do a sneak attack in the night."
The cinematography was also really surprisingly dull. It looked super digital. The colors were so bland and washed out.
Vanessa Kirby is really the best thing about the movie. And also the first battle taking over that fort, which was admittedly pretty epic. I have never seen such a thing happen to a horse in a movie, and it was wonderfully horrifying.
I fully blame Ridley Scott for this dud. Hopefully Spielberg's Kubrick miniseries about Napoleon will be much better.
The other problem with the movie is it's just plain dull and uninteresting. It really does feel like a "highlights" movie. For an almost 3-hour film, it has surprisingly little dialogue. The dialogue that's there isn't' that illuminating or interesting. I normally like politics and romance (which is the bulk of this story), but I would have loved to see more military and war stuff in a movie like this. Isn't Napoleon supposed to be a brilliant war leader? There's like none of that here. Except "oh we'll do a sneak attack in the night."
The cinematography was also really surprisingly dull. It looked super digital. The colors were so bland and washed out.
Vanessa Kirby is really the best thing about the movie. And also the first battle taking over that fort, which was admittedly pretty epic. I have never seen such a thing happen to a horse in a movie, and it was wonderfully horrifying.
I fully blame Ridley Scott for this dud. Hopefully Spielberg's Kubrick miniseries about Napoleon will be much better.
I will not get in to the historical inaccuracies, as in a lot of historical movies history is adapted for dramatic purposes. It is Hollywood after all and especially for big budget movies the goal is to make a lot of money. Beautiful Trailer.
My main criticism is the portrayal of Napoleon. Of course all who knew him are long gone and many accounts are subjective, so we have to make do with that information.
But I can not imagine that a man who ends up on top after all the chaos of the French Revolution, whose generals and soldiers stay loyal to him after all the battles and blood, wasn't an enormous charismatic man.
And that's where the film completely fails for me. You can hate him, admire him, love him, belittle him as Wellington, but the film makes him, and his relationship with Josephine, uninteresting and dull, and as the title is Napoleon, that was my feeling leaving the cinema. A bit more effort of Mr Scott and Mr. Phoenix to know the character and history would probably have added value.
My main criticism is the portrayal of Napoleon. Of course all who knew him are long gone and many accounts are subjective, so we have to make do with that information.
But I can not imagine that a man who ends up on top after all the chaos of the French Revolution, whose generals and soldiers stay loyal to him after all the battles and blood, wasn't an enormous charismatic man.
And that's where the film completely fails for me. You can hate him, admire him, love him, belittle him as Wellington, but the film makes him, and his relationship with Josephine, uninteresting and dull, and as the title is Napoleon, that was my feeling leaving the cinema. A bit more effort of Mr Scott and Mr. Phoenix to know the character and history would probably have added value.
There's so much available content to tell this story. Why the hell was it a 2.5 hour film rather than the multi part limited series it deserves to be? The film has over 20 years of history to cover but includes so many huge time skips that you can't help feeling that you're missing out on a huge amount. This should have been a series and given the writers and the actors the time they deserved to tell the story properly but instead we get something that seems rushed and has huge gaps in time where things are shunted forward just se we can reach the end of the story before time runs out. The acting is above par (Despite Phoenix mumbling through some scenes) and the action sequences are excellent but there is just a feeling that it could have been so much more.
Ridley Scott's Napoleon is more hysterical than historical. History is like an uninvited guest in this movie. Stunning battle visuals don't make up for gross historical approximations.
If you want to watch a masterpiece then see Waterloo, with Rod Steiger and Christopher Plummer. And if you want a historical enumeration then watch the Napoleon series with Christian Clavier, Isabella Rossalini, John Malkovich and Gerard Depardieu.
This movie was made for Apple streaming. Then they made a butchered version for cinema to be able to compete for the Oscars. The original Apple streaming version will be at least 2 hours longer. This cut version for cinema is somewhat rushed, disjointed and, as a result, confusing.
We never really learn why Napoleon was so powerful and won the admiration of so many. Here it's almost as if he stumbles through greatness. He was a great politician in reality, over here he's shown as a childish brute. The focus was more on set pieces and his relationship with Josephine.
Joaquin Phoenix can play odd or troubled characters well. Here he barely succeeds in persuading the viewers that he is Napoleon. He's too old for this role (Napoleon was 24 when Marie Antoinette was guillotined) and made the character seem bizarre than a charismatic leader. Vanessa Kirby as Josephine gets more traction.
The cinematography by Dariusz Wolski is of a very high order. The battle scenes are filmed well. Ridley Scott knows how to make action scenes slick and impressive. But overall it's a below average movie. Napoleon deserves better than this shambolic movie.
If you want to watch a masterpiece then see Waterloo, with Rod Steiger and Christopher Plummer. And if you want a historical enumeration then watch the Napoleon series with Christian Clavier, Isabella Rossalini, John Malkovich and Gerard Depardieu.
This movie was made for Apple streaming. Then they made a butchered version for cinema to be able to compete for the Oscars. The original Apple streaming version will be at least 2 hours longer. This cut version for cinema is somewhat rushed, disjointed and, as a result, confusing.
We never really learn why Napoleon was so powerful and won the admiration of so many. Here it's almost as if he stumbles through greatness. He was a great politician in reality, over here he's shown as a childish brute. The focus was more on set pieces and his relationship with Josephine.
Joaquin Phoenix can play odd or troubled characters well. Here he barely succeeds in persuading the viewers that he is Napoleon. He's too old for this role (Napoleon was 24 when Marie Antoinette was guillotined) and made the character seem bizarre than a charismatic leader. Vanessa Kirby as Josephine gets more traction.
The cinematography by Dariusz Wolski is of a very high order. The battle scenes are filmed well. Ridley Scott knows how to make action scenes slick and impressive. But overall it's a below average movie. Napoleon deserves better than this shambolic movie.
¿Sabías que…?
- TriviaEugene de Beauharnais, the 12 year old boy who requests his father's sword from Napoleon in the film, became an able politician and military commander in his own right. Napoleon cared deeply for Eugene even formally adopting him in 1806 and making him heir presumptive to the Italian throne and Viceroy of Italy where he was de facto ruler. Eugene followed Napoleon on most of his campaigns. In 1809 Eugene commanded his own campaign with the French 'Army of Italy' beating the Austrians in nearly every battle.
- ErroresAfter being defeated at the Battle of Waterloo, Napoleon surrendered to the British on-board HMS Bellerophon. Although receiving many guests, he never met the Duke of Wellington face-to-face in real life.
- Citas
Napoleon Bonaparte: You think you're so great because you have boats!
- Créditos curiososThe opening credits in the poster and vignettes of the film start with "Columbia Pictures and Apple Original Films present", but the opening credits in the actual film start with "Apple Original Films present".
- Versiones alternativasA director's cut was released in August 2024 on Apple TV+ which includes over 48 minutes of new footage.
- ConexionesFeatured in Jeremy Jahns: Napoleon - Movie Review (2023)
- Bandas sonorasÇa Ira !
Music by Jean Françaix
Lyrics by Sacha Guitry
Performed by Édith Piaf
Courtesy of Warner Music UK Ltd.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Napoleon
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 61,524,375
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,638,887
- 26 nov 2023
- Total a nivel mundial
- USD 221,394,838
- Tiempo de ejecución
- 2h 38min(158 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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