World's Biggest Ball of Twine

I noticed that in almost every episode there is one camera that has a Vignette going on. At first it was fine but starts to get annoying. Especially in daylight scenes where there shouldn't be a vignette.

It's like they messed up lenses. Am I the only one seeing this?

Why is everyone's review about one specific thing? 80% of the reviews are all biased and focused on about 5 mins of screenplay involving "Viktor". You all know the episode was 55+ mins right? Other things happened. LOL some people just confuse me sometimes.

ANYWAYS, the dead mothers and grandfather paradox storylines were sooo interesting and amazing. Diego's son is awesome. This show is still as great as it was Season 1.

Let's not be biased and distracted or obsessed with such a small part of the show. The show is great regardless of how you feel about that one part. Deep down you all know it.

There's no explanation why that ball of fire sends ripples out that kill animals. That's one thing. The rest involves Klaus going to find his birth mother--out of the blue. We have Vanya transitioning. Why does it matter. It's a distraction. Anyway, Luther spending all that time with the Sparrows seems superfluous. Basically, though, it's slow moving and doesn't really accelerate the plot much. Is there another goal here other than to continue to survive in a world where you've been replaced. Allison's daughter has disappeared, probably the result of some time glitch in their transfwreing from 1963. Anyway, I wanted this to be over.

The other shoe finally drops and the show makes a good attempt to clarify and add context. Though this seasons subplots are totally off the rails random.

I am so impressed by how they did right for Elliot Page. That transition was respectful and truly helped represent Elliot as Viktor properly without making a deal of it. Netflix and the script writers for the show are doing it sooo right. I cannot express how happy I am that this show is what it is.