En una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que... Leer todoEn una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que altera la realidad, SLO-MO.En una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que altera la realidad, SLO-MO.
- Premios
- 2 premios ganados y 14 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaKarl Urban insisted on riding the Lawmaster motorcycle himself.
- ErroresA computer monitor in the Hall of Justice gives one suspect's DOB as being in 2059 and his age as 28, setting the film in 2087. However's the second suspect's DOB is in 2061 and his age as 49, which would set the film in 2110.
- Citas
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConexionesEdited into 5 Second Movies: Dredd 3D (2014)
- Bandas sonorasJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
- Leofwine_draca
- 21 oct 2013
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Hội Thẩm Phán
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,414,714
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,278,491
- 23 sep 2012
- Total a nivel mundial
- USD 41,037,742
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1